Vai al contenuto principale della pagina

The classic short story, 1870-1925 : theory of a genre / / Florence Goyet



(Visualizza in formato marc)    (Visualizza in BIBFRAME)

Autore: Goyet Florence Visualizza persona
Titolo: The classic short story, 1870-1925 : theory of a genre / / Florence Goyet Visualizza cluster
Pubblicazione: Open Book Publishers
Cambridge, England : , : Open Book Publishers, , 2014
©2014
Descrizione fisica: 1 online resource (210 pages) : digital, PDF file(s)
Disciplina: 801.95
Soggetto topico: Literature - History and criticism - Theory, etc
Literature - Philosophy
Literary form - History
Soggetto non controllato: literary theory
written literature
short story
Note generali: Description based upon print version of record and e-publication (viewed on June 26, 2019).
Nota di bibliografia: Includes bibliographical references and index.
Nota di contenuto: Part !: structure --Part II: media --Part III: reader, character and author.
Sommario/riassunto: The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most popular-the late nineteenth and early twentieth centuries-even the greatest writers followed strict generic conventions that were far from subtle. This expanded and updated translation of Florence Goyet's influential La Nouvelle, 1870-1925: Description d'un genre à son apogée (Paris, 1993) is the only study to focus exclusively on this classic period across different continents. Ranging through French, English, Italian, Russian and Japanese writing-particularly the stories of Guy de Maupassant, Henry James, Giovanni Verga, Anton Chekhov and Akutagàwa Ryünosuke-Goyet shows that these authors were able tocreate brilliant and successful short stories using the very simple 'tools of brevity' of that period. ln this challenging and far-reaching study, Goyet looks at classic short stories in the context in which they were read at the time: cheap newspapers and higher end periodicills. She demonstrates that, despite the apparent intention of these stories to question bourgeois ideals, they mostly affirmed the prejudices of their readers. ln doing so, her book forces us to re-think our preconceptions about this 'forgotten' genre.
Titolo autorizzato: The classic short story, 1870-1925  Visualizza cluster
ISBN: 1-909254-78-9
2-8218-5407-2
1-909254-77-0
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910132226203321
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui