03660 am 22006973u 450 991013222620332120221206175539.01-909254-78-92-8218-5407-21-909254-77-0(CKB)3710000000094609(EBL)3384122(SSID)ssj0001325987(PQKBManifestationID)11765498(PQKBTitleCode)TC0001325987(PQKBWorkID)11517817(PQKB)11718015(WaSeSS)IndRDA00056483(Au-PeEL)EBL3384122(CaPaEBR)ebr10852534(OCoLC)923318100(MiAaPQ)EBC3384122(FrMaCLE)OB-obp-1464(oapen)https://directory.doabooks.org/handle/20.500.12854/43332(PPN)18927218X(EXLCZ)99371000000009460920140408h20142014 uy 0engurmn#||||||||txtrdacontentcrdamediacrrdacarrierThe classic short story, 1870-1925 theory of a genre /Florence GoyetOpen Book PublishersCambridge, England :Open Book Publishers,2014.©20141 online resource (210 pages) digital, PDF file(s)Description based upon print version of record and e-publication (viewed on June 26, 2019).1-909254-75-4 1-909254-76-2 Includes bibliographical references and index.Part !: structure --Part II: media --Part III: reader, character and author.The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most popular-the late nineteenth and early twentieth centuries-even the greatest writers followed strict generic conventions that were far from subtle. This expanded and updated translation of Florence Goyet's influential La Nouvelle, 1870-1925: Description d'un genre à son apogée (Paris, 1993) is the only study to focus exclusively on this classic period across different continents. Ranging through French, English, Italian, Russian and Japanese writing-particularly the stories of Guy de Maupassant, Henry James, Giovanni Verga, Anton Chekhov and Akutagàwa Ryünosuke-Goyet shows that these authors were able tocreate brilliant and successful short stories using the very simple 'tools of brevity' of that period. ln this challenging and far-reaching study, Goyet looks at classic short stories in the context in which they were read at the time: cheap newspapers and higher end periodicills. She demonstrates that, despite the apparent intention of these stories to question bourgeois ideals, they mostly affirmed the prejudices of their readers. ln doing so, her book forces us to re-think our preconceptions about this 'forgotten' genre.LiteratureHistory and criticismTheory, etcLiteraturePhilosophyLiterary formHistoryliterary theorywritten literatureshort storyLiteratureHistory and criticismTheory, etc.LiteraturePhilosophy.Literary formHistory.801.95Goyet Florence601260MiAaPQMiAaPQMiAaPQBOOK9910132226203321The classic short story, 1870-19252239478UNINA