Film as Embodied Art : Bodily Meaning in the Cinema of Stanley Kubrick / / Maarten Coëgnarts
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| Autore: |
Coëgnarts Maarten
|
| Titolo: |
Film as Embodied Art : Bodily Meaning in the Cinema of Stanley Kubrick / / Maarten Coëgnarts
|
| Pubblicazione: | Boston, MA : , : Academic Studies Press, , [2019] |
| ©2019 | |
| Descrizione fisica: | 1 online resource (264 p.) |
| Disciplina: | 791.430233092 |
| Soggetto topico: | Film theory & criticism |
| Soggetto genere / forma: | Electronic books. |
| Soggetto non controllato: | 2001: A Space Odyssey |
| 20th century film | |
| Barry Lyndon | |
| Eyes Wide Shut | |
| Paths of Glory | |
| Stanley Kubrick | |
| The Shining | |
| aesthetics | |
| artistic intention | |
| cinema studies | |
| cognitive film theory | |
| cognitive linguistics | |
| communication | |
| directing | |
| embodied cognitive science | |
| embodied meaning | |
| evolutionary theory | |
| film as language | |
| film scores | |
| film semiotics | |
| film studies | |
| film | |
| filmmaking | |
| metaphor | |
| methodology | |
| music | |
| perception | |
| philosophy | |
| psychoanalysis | |
| screenwriting | |
| semiotics | |
| twentieth century film | |
| Nota di contenuto: | Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction. The Theoretical Context of This Study -- Chapter 1. Identifying the Meaning: In Search of the Concepts of Kubrick's Films -- Chapter 2. Embodying the Meaning: The Role of Image Schemas, Metaphors, and Metonymies -- Chapter 3. Setting the Conditions of Embodied Meaning-Making in Film: The Role of Film Style and Acting -- Chapter 4. Fleshing Out the Embodied Meaning Visually: The Art of Kubrick -- Chapter 5. Seeing and Listening to Kubrick's Films: The Embodied Film Viewer -- Appendix -- Glossary -- Filmography -- Discography -- Bibliography -- Index |
| Sommario/riassunto: | How do the films of Kubrick communicate mental events of characters in a purely visual manner? And how does the music in his films express meaning when music in essence is an abstract and non-representational art form? Drawing on state-of-the-art discoveries within embodied cognitive science, this book sets out to address these and other questions by revealing Kubrick as a genuine artist of embodied meaning-making, a filmmaker who perhaps more than any other director, uses all the resources of filmmaking in such a controlled and dense manner as to elicit the embodied tools necessary to achieve a level of conceptual clarity. |
| Titolo autorizzato: | Film as Embodied Art |
| ISBN: | 1-64469-113-2 |
| Formato: | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione: | Inglese |
| Record Nr.: | 996333144103316 |
| Lo trovi qui: | Univ. di Salerno |
| Opac: | Controlla la disponibilità qui |