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Record Nr. |
UNISA996333144103316 |
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Autore |
Coëgnarts Maarten |
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Titolo |
Film as Embodied Art : Bodily Meaning in the Cinema of Stanley Kubrick / / Maarten Coëgnarts |
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Pubbl/distr/stampa |
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Boston, MA : , : Academic Studies Press, , [2019] |
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©2019 |
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ISBN |
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Descrizione fisica |
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1 online resource (264 p.) |
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Disciplina |
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Soggetti |
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Film theory & criticism |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction. The Theoretical Context of This Study -- Chapter 1. Identifying the Meaning: In Search of the Concepts of Kubrick's Films -- Chapter 2. Embodying the Meaning: The Role of Image Schemas, Metaphors, and Metonymies -- Chapter 3. Setting the Conditions of Embodied Meaning-Making in Film: The Role of Film Style and Acting -- Chapter 4. Fleshing Out the Embodied Meaning Visually: The Art of Kubrick -- Chapter 5. Seeing and Listening to Kubrick's Films: The Embodied Film Viewer -- Appendix -- Glossary -- Filmography -- Discography -- Bibliography -- Index |
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Sommario/riassunto |
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How do the films of Kubrick communicate mental events of characters in a purely visual manner? And how does the music in his films express meaning when music in essence is an abstract and non-representational art form? Drawing on state-of-the-art discoveries within embodied cognitive science, this book sets out to address these and other questions by revealing Kubrick as a genuine artist of embodied meaning-making, a filmmaker who perhaps more than any other director, uses all the resources of filmmaking in such a controlled and dense manner as to elicit the embodied tools necessary to achieve a level of conceptual clarity. |
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