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035   $a(DE-B1597)541116
035   $a(OCoLC)1129597176
035   $a(DE-B1597)9781644691137
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101 0 $aeng
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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aFilm as Embodied Art $eBodily Meaning in the Cinema of Stanley Kubrick /$fMaarten Coëgnarts
210  1$aBoston, MA : $cAcademic Studies Press, $d[2019]
210  4$d©2019
215   $a1 online resource (264 p.)
311   $a1-61811-836-6 
327   $tFrontmatter -- $tContents -- $tList of Illustrations -- $tAcknowledgments -- $tIntroduction. The Theoretical Context of This Study -- $tChapter 1. Identifying the Meaning: In Search of the Concepts of Kubrick's Films -- $tChapter 2. Embodying the Meaning: The Role of Image Schemas, Metaphors, and Metonymies -- $tChapter 3. Setting the Conditions of Embodied Meaning-Making in Film: The Role of Film Style and Acting -- $tChapter 4. Fleshing Out the Embodied Meaning Visually: The Art of Kubrick -- $tChapter 5. Seeing and Listening to Kubrick's Films: The Embodied Film Viewer -- $tAppendix -- $tGlossary -- $tFilmography -- $tDiscography -- $tBibliography -- $tIndex
330   $aHow do the films of Kubrick communicate mental events of characters in a purely visual manner? And how does the music in his films express meaning when music in essence is an abstract and non-representational art form? Drawing on state-of-the-art discoveries within embodied cognitive science, this book sets out to address these and other questions by revealing Kubrick as a genuine artist of embodied meaning-making, a filmmaker who perhaps more than any other director, uses all the resources of filmmaking in such a controlled and dense manner as to elicit the embodied tools necessary to achieve a level of conceptual clarity.
606   $aFilm theory & criticism$2bicssc
608   $aElectronic books.
610   $a2001: A Space Odyssey.
610   $a20th century film.
610   $aBarry Lyndon.
610   $aEyes Wide Shut.
610   $aPaths of Glory.
610   $aStanley Kubrick.
610   $aThe Shining.
610   $aaesthetics.
610   $aartistic intention.
610   $acinema studies.
610   $acognitive film theory.
610   $acognitive linguistics.
610   $acommunication.
610   $adirecting.
610   $aembodied cognitive science.
610   $aembodied meaning.
610   $aevolutionary theory.
610   $afilm as language.
610   $afilm scores.
610   $afilm semiotics.
610   $afilm studies.
610   $afilm.
610   $afilmmaking.
610   $ametaphor.
610   $amethodology.
610   $amusic.
610   $aperception.
610   $aphilosophy.
610   $apsychoanalysis.
610   $ascreenwriting.
610   $asemiotics.
610   $atwentieth century film.
615  7$aFilm theory & criticism
676   $a791.430233092
700   $aCoëgnarts$b Maarten, $4aut$4http://id.loc.gov/vocabulary/relators/aut$0967932
712 02$aKnowledge Unlatched$4fnd$4http://id.loc.gov/vocabulary/relators/fnd
801  0$bDE-B1597
801  1$bDE-B1597
906   $aBOOK
912   $a996333144103316
996   $aFilm as Embodied Art$92198258
997   $aUNISA