1968 and Global Cinema / / edited by Christina Gerhardt and Sara Saljoughi

• Pubblicazione: Detroit : , : Wayne State University Press, , [2018]; Baltimore, Md. : , : Project MUSE, , 2018; ©[2018]
• Descrizione fisica: 1 online resource (vii, 422 pages )
• Disciplina: 791.4309/046
• Soggetto topico: Motion pictures - History - 20th century
• Persona (resp. second.): SaljoughiSara; GerhardtChristina
• Note generali: Includes index.
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Cover -- Title Page -- Copyright -- Contents -- Acknowledgments -- Introduction. Looking Back: Global Cinema and the Legacy of New Waves around 1968 -- I. The Long Sixties: Cinematic New Waves -- 1. The "Long 1968" and Radical Film Aesthetics -- 2. "What Am I Doing in the Middle of the Revolution?": Ennio Morricone and The Battle of Algiers -- 3. Before the Revolution: The Radical Anxiety of Paulo Rocha's Cinema -- 4. The Czechoslovak New Wave Revisited -- 5. Internationalism and the Early Student Films of the German Film and Television Academy Berlin (dffb) -- 6. The Hour of the Furnaces: A Film "Happening" -- 7. Toward a New Mode of Study: The New Student Left and the Occupation of Cinema in Columbia Revolt and The Battlefront for the Liberation of Japan-Summer in Sanrizuka -- 8. Oshima, Korea, and 1968: Death by Hanging and Three Resurrected Drunkards -- 9. The Hypothetical and the Experimental: Reading Lindsay Anderson's If . . . Alongside Pier Paolo Pasolini's Teorema -- 10. Obscurity, Anthologized: Non-Relation and Enjoyment in Love and Anger (1969) -- II. Aftershocks -- 11. Re-presenting the "Just Image": Godard-Gorin's Vent d'est and the Radical Thwartedness of Maoist Solidarity after May 1968 -- 12. Medium UnCool: Women Shoot Back -- Feminism, Film, and 1968-A Curious Documentary -- 13. Third Cinema in the First World: L.A. Rebellion and the Aesthetics of Confrontation -- 14. The Politics of (In)Action: Humanism, Violence, and Revolution in Satyajit Ray's Pratidwandi/The Adversary -- 15. Maysles Films: Some Paradoxes of Direct Cinema in the 1960s and 1970s -- 16. The Rhetoric of Parapraxis: The 1967 Riots and Hong Kong Film Theory -- 17. Cultural Revolution Models on Film: The Third World Politics of Self-Reflexivity in On the Docks (1972). ; 18. Workers Interrupting the Factory: Helena Lumbreras's Militant Factory Films between Italy and Spain (1968-78) -- 19. Political Cinema, Revolution, and Failure: The Iranian New Wave, 1962-79 -- List of Contributors -- Index.
• Sommario/riassunto: Examines the political cinema of 1968 in relation to global events.
• Titolo autorizzato: 1968 and Global Cinema
• ISBN: 9780814342947; 0814342949
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Lingua di pubblicazione: Inglese
• Record Nr.: 9910962658003321
• Lo trovi qui: Univ. Federico II
• Serie: Contemporary approaches to film and media series.