LEADER 03612oam 22005174a 450 001 9910962658003321 005 20251121183146.0 010 $a9780814342947 010 $a0814342949 035 $a(CKB)4100000006517252 035 $a(OCoLC)1066121742 035 $a(MdBmJHUP)muse68266 035 $a(MiAaPQ)EBC5503311 035 $a(Perlego)2998749 035 $a(EXLCZ)994100000006517252 100 $a20171031d2018 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$a1968 and Global Cinema /$fedited by Christina Gerhardt and Sara Saljoughi 210 1$aDetroit :$cWayne State University Press,$d[2018] 210 3$aBaltimore, Md. :$cProject MUSE,$d2018 210 4$dİ[2018] 215 $a1 online resource (vii, 422 pages ) 225 1 $aContemporary approaches to film and media series 300 $aIncludes index. 311 08$a9780814342930 311 08$a0814342930 320 $aIncludes bibliographical references and index. 327 $aCover -- Title Page -- Copyright -- Contents -- Acknowledgments -- Introduction. Looking Back: Global Cinema and the Legacy of New Waves around 1968 -- I. The Long Sixties: Cinematic New Waves -- 1. The "Long 1968" and Radical Film Aesthetics -- 2. "What Am I Doing in the Middle of the Revolution?": Ennio Morricone and The Battle of Algiers -- 3. Before the Revolution: The Radical Anxiety of Paulo Rocha's Cinema -- 4. The Czechoslovak New Wave Revisited -- 5. Internationalism and the Early Student Films of the German Film and Television Academy Berlin (dffb) -- 6. The Hour of the Furnaces: A Film "Happening" -- 7. Toward a New Mode of Study: The New Student Left and the Occupation of Cinema in Columbia Revolt and The Battlefront for the Liberation of Japan-Summer in Sanrizuka -- 8. Oshima, Korea, and 1968: Death by Hanging and Three Resurrected Drunkards -- 9. The Hypothetical and the Experimental: Reading Lindsay Anderson's If . . . Alongside Pier Paolo Pasolini's Teorema -- 10. Obscurity, Anthologized: Non-Relation and Enjoyment in Love and Anger (1969) -- II. Aftershocks -- 11. Re-presenting the "Just Image": Godard-Gorin's Vent d'est and the Radical Thwartedness of Maoist Solidarity after May 1968 -- 12. Medium UnCool: Women Shoot Back -- Feminism, Film, and 1968-A Curious Documentary -- 13. Third Cinema in the First World: L.A. Rebellion and the Aesthetics of Confrontation -- 14. The Politics of (In)Action: Humanism, Violence, and Revolution in Satyajit Ray's Pratidwandi/The Adversary -- 15. Maysles Films: Some Paradoxes of Direct Cinema in the 1960s and 1970s -- 16. The Rhetoric of Parapraxis: The 1967 Riots and Hong Kong Film Theory -- 17. Cultural Revolution Models on Film: The Third World Politics of Self-Reflexivity in On the Docks (1972). 327 $a18. Workers Interrupting the Factory: Helena Lumbreras's Militant Factory Films between Italy and Spain (1968-78) -- 19. Political Cinema, Revolution, and Failure: The Iranian New Wave, 1962-79 -- List of Contributors -- Index. 330 $aExamines the political cinema of 1968 in relation to global events. 410 0$aContemporary approaches to film and media series. 606 $aMotion pictures$xHistory$y20th century 615 0$aMotion pictures$xHistory 676 $a791.4309/046 702 $aSaljoughi$b Sara 702 $aGerhardt$b Christina 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910962658003321 996 $a1968 and Global Cinema$94353323 997 $aUNINA