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[null,"1.","Record Nr.",null,"UNINA9910962658003321"]
[null,null,"Titolo",null,"1968 and Global Cinema / / edited by Christina Gerhardt and Sara Saljoughi"]
[null,null,"Pubbl/distr/stampa",null,"Detroit : , : Wayne State University Press, , [2018]"]
[{"$nulls":4},"Baltimore, Md. : , : Project MUSE, , 2018"]
[{"$nulls":4},"©[2018]"]
[null,null,"ISBN",null,"9780814342947"]
[{"$nulls":4},"0814342949"]
[null,null,"Descrizione fisica",null,"1 online resource (vii, 422 pages )"]
[null,null,"Collana",null,"Contemporary approaches to film and media series"]
[null,null,"Disciplina",null,"791.4309/046"]
[null,null,"Soggetti",null,"Motion pictures - History - 20th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover -- Title Page -- Copyright -- Contents -- Acknowledgments -- Introduction. Looking Back: Global Cinema and the Legacy of New Waves around 1968 -- I. The Long Sixties: Cinematic New Waves -- 1. The \"Long 1968\" and Radical Film Aesthetics -- 2. \"What Am I Doing in the Middle of the Revolution?\": Ennio Morricone and The Battle of Algiers -- 3. Before the Revolution: The Radical Anxiety of Paulo Rocha's Cinema -- 4. The Czechoslovak New Wave Revisited -- 5. Internationalism and the Early Student Films of the German Film and Television Academy Berlin (dffb) -- 6. The Hour of the Furnaces: A Film \"Happening\" -- 7. Toward a New Mode of Study: The New Student Left and the Occupation of Cinema in Columbia Revolt and The Battlefront for the Liberation of Japan-Summer in Sanrizuka -- 8. Oshima, Korea, and 1968: Death by Hanging and Three Resurrected Drunkards -- 9. The Hypothetical and the Experimental: Reading Lindsay Anderson's If . . . Alongside Pier Paolo Pasolini's Teorema -- 10. Obscurity, Anthologized: Non-Relation and Enjoyment in Love and Anger (1969) -- II. Aftershocks -- 11. Re-presenting the \"Just Image\": Godard-Gorin's Vent d'est and the Radical Thwartedness of Maoist Solidarity after May 1968 -- 12. Medium UnCool: Women Shoot Back -- Feminism, Film, and 1968-A Curious Documentary -- 13. Third Cinema in the First World: L.A. Rebellion and the Aesthetics of Confrontation -- 14. The Politics of (In)Action: Humanism, Violence, and Revolution in Satyajit Ray's Pratidwandi/The Adversary -- 15. Maysles Films: Some "]
[{"$nulls":4},"Paradoxes of Direct Cinema in the 1960s and 1970s -- 16. The Rhetoric of Parapraxis: The 1967 Riots and Hong Kong Film Theory -- 17. Cultural Revolution Models on Film: The Third World Politics of Self-Reflexivity in On the Docks (1972)."]
[{"$nulls":4},"18. Workers Interrupting the Factory: Helena Lumbreras's Militant Factory Films between Italy and Spain (1968-78) -- 19. Political Cinema, Revolution, and Failure: The Iranian New Wave, 1962-79 -- List of Contributors -- Index."]
[null,null,null,"Sommario/riassunto","Examines the political cinema of 1968 in relation to global events."]