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Digital dialogues and community 2.0 : after avatars, trolls and puppets / / edited by Tara Brabazon
| Digital dialogues and community 2.0 : after avatars, trolls and puppets / / edited by Tara Brabazon |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Cambridge : , : Chandos Publishing, , 2012 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina |
303.48
303.4833 |
| Altri autori (Persone) | BrabazonTara |
| Collana | Chandos social media series |
| Soggetto topico |
Information society
Online social networks Communication and technology |
| Soggetto genere / forma | Electronic books. |
| ISBN | 1-78063-302-5 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Digital Dialogues and Community 2.0: After avatars, trolls and puppets; Copyright; Contents; List of tables and boxes; Tables; Boxes; List of abbreviations; About the contributors; Introduction: new imaginings; Communication and community; From MySpace to OurSpace; Notes; Part 1 Communities, Exiles and Resistance; 1 The inevitable exile: a missing link in online community discourse; Place is the thing; Panoptical temptation; Reincarnation as networked norm; Forgiveness not permission; Culture jammer or parasite?; I've got you under my skin; Permaban and punish
Legibility and responsibility Every tool is a weapon if you hold it right; Notes; 2 Call it hyper activism: politicizing the online Arab public sphere and the quest for authenticity and relevance; From blogging to YouTube: politicising the internet; From call-in programs to online comments: participatory culture; Notes; 3 What's in a name? Digital resources and resistance at the global periphery; Resistance and the nation state; SouthAfrica.com; NewZealand.com; Tuvalu and .tv; .md: who represents Moldova?; What's in a domain (name)?; Cautions and conflicts: .tp and Timorese independence; Notes 4 I have seen the future, and it rings Mobile phones and social change; Day-to-day use of mobile phones; Conclusion; Notes; Part 2 Structures for Sharing; 5 Strangers in the swarm; The history of file sharing; Bit Torrent; Identities in the swarm; The future; Notes; 6 Status (update) anxiety: social networking, Facebook and community; It's all about me; Watching the self (being watched); Notes; 7 Becoming Mireila: a virtual ethnography through the eyes of an avatar; Entry; Stripping Mireila; Feeders; Self; Notes; 8 Taste is the enemy of creativity: disability, YouTube and a new language 1 Disability is a social construction Lessons from Picasso; Digital disability; Notes; Part 3 Professions, Production, Consumptions; 9 The sound of a librarian: the politics and potential of podcasting in difficult times; iPod studies; Why should librarians use podcasts?; Questions of quality; Notes; 10 The invisible (wo)man; Introducing Nazlin; Endings; Notes; 11 The impact of the video-equipped DSLR; The video DSLR; A community of video cinematographers; The future; Notes; 12 Why media literacy is transformative of the Irish education system: a statement in advocacy; New literacies Managing disadvantage Multiliteracy for an Information Age; Notes; 13 YouTube Academy; Doing 'everything' with YouTube; Broadcasting academics; Notes; Part 4 Fandom, Consumption and Community; 14 Live fast, die young, become immortal; Prescience; Mediated grief; Living digital death; Notes; 15 All we hear is Lady-o Gaga: Popular Culture 2.0; Music; Gender and fashion; Fandom; Notes; 16 Copyright and couture: the Comme il Faut experience; Intellectual property: copyrighting couture; Online retailers and the long tail of e-commerce; Fashion and failure; Comme il Faut couture; Notes 17 When community becomes a commodity |
| Record Nr. | UNINA-9910462738303321 |
| Cambridge : , : Chandos Publishing, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digital dialogues and community 2.0 : after avatars, trolls and puppets / / edited by Tara Brabazon
| Digital dialogues and community 2.0 : after avatars, trolls and puppets / / edited by Tara Brabazon |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Cambridge : , : Chandos Publishing, , 2012 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina |
303.48
303.4833 |
| Altri autori (Persone) | BrabazonTara |
| Collana | Chandos social media series |
| Soggetto topico |
Information society
Online social networks Communication and technology |
| ISBN | 1-78063-302-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Digital Dialogues and Community 2.0: After avatars, trolls and puppets; Copyright; Contents; List of tables and boxes; Tables; Boxes; List of abbreviations; About the contributors; Introduction: new imaginings; Communication and community; From MySpace to OurSpace; Notes; Part 1 Communities, Exiles and Resistance; 1 The inevitable exile: a missing link in online community discourse; Place is the thing; Panoptical temptation; Reincarnation as networked norm; Forgiveness not permission; Culture jammer or parasite?; I've got you under my skin; Permaban and punish
Legibility and responsibility Every tool is a weapon if you hold it right; Notes; 2 Call it hyper activism: politicizing the online Arab public sphere and the quest for authenticity and relevance; From blogging to YouTube: politicising the internet; From call-in programs to online comments: participatory culture; Notes; 3 What's in a name? Digital resources and resistance at the global periphery; Resistance and the nation state; SouthAfrica.com; NewZealand.com; Tuvalu and .tv; .md: who represents Moldova?; What's in a domain (name)?; Cautions and conflicts: .tp and Timorese independence; Notes 4 I have seen the future, and it rings Mobile phones and social change; Day-to-day use of mobile phones; Conclusion; Notes; Part 2 Structures for Sharing; 5 Strangers in the swarm; The history of file sharing; Bit Torrent; Identities in the swarm; The future; Notes; 6 Status (update) anxiety: social networking, Facebook and community; It's all about me; Watching the self (being watched); Notes; 7 Becoming Mireila: a virtual ethnography through the eyes of an avatar; Entry; Stripping Mireila; Feeders; Self; Notes; 8 Taste is the enemy of creativity: disability, YouTube and a new language 1 Disability is a social construction Lessons from Picasso; Digital disability; Notes; Part 3 Professions, Production, Consumptions; 9 The sound of a librarian: the politics and potential of podcasting in difficult times; iPod studies; Why should librarians use podcasts?; Questions of quality; Notes; 10 The invisible (wo)man; Introducing Nazlin; Endings; Notes; 11 The impact of the video-equipped DSLR; The video DSLR; A community of video cinematographers; The future; Notes; 12 Why media literacy is transformative of the Irish education system: a statement in advocacy; New literacies Managing disadvantage Multiliteracy for an Information Age; Notes; 13 YouTube Academy; Doing 'everything' with YouTube; Broadcasting academics; Notes; Part 4 Fandom, Consumption and Community; 14 Live fast, die young, become immortal; Prescience; Mediated grief; Living digital death; Notes; 15 All we hear is Lady-o Gaga: Popular Culture 2.0; Music; Gender and fashion; Fandom; Notes; 16 Copyright and couture: the Comme il Faut experience; Intellectual property: copyrighting couture; Online retailers and the long tail of e-commerce; Fashion and failure; Comme il Faut couture; Notes 17 When community becomes a commodity |
| Record Nr. | UNINA-9910786105603321 |
| Cambridge : , : Chandos Publishing, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digital dialogues and community 2.0 : after avatars, trolls and puppets / / edited by Tara Brabazon
| Digital dialogues and community 2.0 : after avatars, trolls and puppets / / edited by Tara Brabazon |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Cambridge : , : Chandos Publishing, , 2012 |
| Descrizione fisica | 1 online resource (321 p.) |
| Disciplina |
303.48
303.4833 |
| Altri autori (Persone) | BrabazonTara |
| Collana | Chandos social media series |
| Soggetto topico |
Information society
Online social networks Communication and technology |
| ISBN | 1-78063-302-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Cover; Digital Dialogues and Community 2.0: After avatars, trolls and puppets; Copyright; Contents; List of tables and boxes; Tables; Boxes; List of abbreviations; About the contributors; Introduction: new imaginings; Communication and community; From MySpace to OurSpace; Notes; Part 1 Communities, Exiles and Resistance; 1 The inevitable exile: a missing link in online community discourse; Place is the thing; Panoptical temptation; Reincarnation as networked norm; Forgiveness not permission; Culture jammer or parasite?; I've got you under my skin; Permaban and punish
Legibility and responsibility Every tool is a weapon if you hold it right; Notes; 2 Call it hyper activism: politicizing the online Arab public sphere and the quest for authenticity and relevance; From blogging to YouTube: politicising the internet; From call-in programs to online comments: participatory culture; Notes; 3 What's in a name? Digital resources and resistance at the global periphery; Resistance and the nation state; SouthAfrica.com; NewZealand.com; Tuvalu and .tv; .md: who represents Moldova?; What's in a domain (name)?; Cautions and conflicts: .tp and Timorese independence; Notes 4 I have seen the future, and it rings Mobile phones and social change; Day-to-day use of mobile phones; Conclusion; Notes; Part 2 Structures for Sharing; 5 Strangers in the swarm; The history of file sharing; Bit Torrent; Identities in the swarm; The future; Notes; 6 Status (update) anxiety: social networking, Facebook and community; It's all about me; Watching the self (being watched); Notes; 7 Becoming Mireila: a virtual ethnography through the eyes of an avatar; Entry; Stripping Mireila; Feeders; Self; Notes; 8 Taste is the enemy of creativity: disability, YouTube and a new language 1 Disability is a social construction Lessons from Picasso; Digital disability; Notes; Part 3 Professions, Production, Consumptions; 9 The sound of a librarian: the politics and potential of podcasting in difficult times; iPod studies; Why should librarians use podcasts?; Questions of quality; Notes; 10 The invisible (wo)man; Introducing Nazlin; Endings; Notes; 11 The impact of the video-equipped DSLR; The video DSLR; A community of video cinematographers; The future; Notes; 12 Why media literacy is transformative of the Irish education system: a statement in advocacy; New literacies Managing disadvantage Multiliteracy for an Information Age; Notes; 13 YouTube Academy; Doing 'everything' with YouTube; Broadcasting academics; Notes; Part 4 Fandom, Consumption and Community; 14 Live fast, die young, become immortal; Prescience; Mediated grief; Living digital death; Notes; 15 All we hear is Lady-o Gaga: Popular Culture 2.0; Music; Gender and fashion; Fandom; Notes; 16 Copyright and couture: the Comme il Faut experience; Intellectual property: copyrighting couture; Online retailers and the long tail of e-commerce; Fashion and failure; Comme il Faut couture; Notes 17 When community becomes a commodity |
| Record Nr. | UNINA-9910822485803321 |
| Cambridge : , : Chandos Publishing, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digital disruption and electronic resource management in libraries / / Nihar Patra
| Digital disruption and electronic resource management in libraries / / Nihar Patra |
| Autore | Patra Nihar |
| Pubbl/distr/stampa | Cambridge, Massachusetts : , : Chandos Publishing, , 2017 |
| Descrizione fisica | 1 online resource (179 pages) : illustrations, tables |
| Disciplina | 025.00285 |
| Collana | Chandos Information Professional Series |
| Soggetto topico |
Electronic information resources - Management
Libraries - Electronic information resources |
| ISBN |
0-08-102046-5
0-08-102045-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910583354603321 |
Patra Nihar
|
||
| Cambridge, Massachusetts : , : Chandos Publishing, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The digital evolution of live music / / editors, Angela Cresswell-Jones and Rebecca Jane Bennett
| The digital evolution of live music / / editors, Angela Cresswell-Jones and Rebecca Jane Bennett |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | Waltham, MA : , : Chandos Publishing, , [2015] |
| Descrizione fisica | 1 online resource (xv, 143 pages) |
| Disciplina | 781.430285 |
| Collana | Chandos information professional series |
| Soggetto topico |
Live sound recordings
Sound - Recording and reproducing - Digital techniques |
| ISBN |
0-08-100070-7
0-08-100067-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; The Digital Evolution of Live Music; Copyright; Contents; Preface; Introduction; The digital evolution; Live music; The live music economy; Live music and digital culture; References; Section One: Live that survives ; Chapter 1: Live concerts and fan identity in the age of the Internet; 1.1 . Introduction; 1.2 . Identity and live music; 1.3 . Live concerts and history; 1.4 . Live concerts and community; 1.5 . Live concerts and the individual; 1.6 . Conclusion; References; Chapter 2: Aura, iteration, and action: digital technology and the jouissance of live music
2.1 . The territory: arguments about the technological mediation of cultural production2.2 . The expedition: experiences of jouissance through live music; References; Chapter 3: What's my scene: festival fandom and the applification of the Big Day Out stage; 3.1 . Introduction; 3.2 . A brief history of music festivals: 1960s-1990s; 3.3 . The 1990s to the 2000s; 3.4 . The 2000s: the applification of the BDO stage; 3.5 . The future of music festivals; References; Section Two: Digital live ; Chapter 4: Live sound and the disappearing digital; 4.1 Introduction; 4.2 Sound is analog 4.3 Digital processes in live sound4.4 Global sound design; 4.5 Dislocations and authenticity; 4.6 Music computing and synthesis; 4.7 Remote digital tools; 4.8 Digital magic; 4.9 Conclusion; References; Chapter 5: Live or Memorex? Changing perceptions of music practices; 5.1 . Introduction; 5.2 . Methodology; 5.3 . The loss of the tangible-capturing the moment 1; 5.4 . Plus ça change-capturing the moment 2; 5.5 . Liquid sounds-disseminating the experience; 5.6 . Keeping it real-live and digital; 5.7 . Dubstep or busted speakers? Changing auditory practices; 5.8 . Backward to the future ReferencesChapter 6: Live from the ether: YouTube and live music video culture; 6.1 . Introduction; 6.2 . Free-for-all: the YouTube model; 6.3 . It's all here: community and access; 6.4 . Another promotional tool: the official model; 6.5 . Identifying the fanvid: the amateur-professional divide; 6.6 . The heart of copygrey: the user-generated model; 6.7 . Offsetting copygrey: YouTube services; 6.8 . A live-streaming case study: Coachella; 6.9 . Conclusion; References; Chapter 7: Live music in a virtual world: exuberant flourishing and disability at Wheelies nightclub in Second Life 7.1 . Second Life: looking forward, looking back7.2 . Identity avatars and disability; 7.3 . Second Life, live music, and disability; 7.4 . Wheelies, live music, and engagement; 7.5 . Conclusion; References; Chapter 8: The sounds of Skyrim: a musical journey through gaming; 8.1 . Introduction; 8.2 . The music of Skyrim; 8.2.1 . Music in-game; 8.2.2 . Music from the game; 8.3 . Music and live-gaming experiences: a moment in time, a moment in mind; References; Section Three: Live after death ; Chapter 9: Dead music in live music culture; 9.1 . Deadness in liveness; 9.1.1 . Dead? Music 9.1.2 . Live |
| Record Nr. | UNINA-9910797363603321 |
| Waltham, MA : , : Chandos Publishing, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The digital evolution of live music / / editors, Angela Cresswell-Jones and Rebecca Jane Bennett
| The digital evolution of live music / / editors, Angela Cresswell-Jones and Rebecca Jane Bennett |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | Waltham, MA : , : Chandos Publishing, , [2015] |
| Descrizione fisica | 1 online resource (xv, 143 pages) |
| Disciplina | 781.430285 |
| Collana | Chandos information professional series |
| Soggetto topico |
Live sound recordings
Sound - Recording and reproducing - Digital techniques |
| ISBN |
0-08-100070-7
0-08-100067-7 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; The Digital Evolution of Live Music; Copyright; Contents; Preface; Introduction; The digital evolution; Live music; The live music economy; Live music and digital culture; References; Section One: Live that survives ; Chapter 1: Live concerts and fan identity in the age of the Internet; 1.1 . Introduction; 1.2 . Identity and live music; 1.3 . Live concerts and history; 1.4 . Live concerts and community; 1.5 . Live concerts and the individual; 1.6 . Conclusion; References; Chapter 2: Aura, iteration, and action: digital technology and the jouissance of live music
2.1 . The territory: arguments about the technological mediation of cultural production2.2 . The expedition: experiences of jouissance through live music; References; Chapter 3: What's my scene: festival fandom and the applification of the Big Day Out stage; 3.1 . Introduction; 3.2 . A brief history of music festivals: 1960s-1990s; 3.3 . The 1990s to the 2000s; 3.4 . The 2000s: the applification of the BDO stage; 3.5 . The future of music festivals; References; Section Two: Digital live ; Chapter 4: Live sound and the disappearing digital; 4.1 Introduction; 4.2 Sound is analog 4.3 Digital processes in live sound4.4 Global sound design; 4.5 Dislocations and authenticity; 4.6 Music computing and synthesis; 4.7 Remote digital tools; 4.8 Digital magic; 4.9 Conclusion; References; Chapter 5: Live or Memorex? Changing perceptions of music practices; 5.1 . Introduction; 5.2 . Methodology; 5.3 . The loss of the tangible-capturing the moment 1; 5.4 . Plus ça change-capturing the moment 2; 5.5 . Liquid sounds-disseminating the experience; 5.6 . Keeping it real-live and digital; 5.7 . Dubstep or busted speakers? Changing auditory practices; 5.8 . Backward to the future ReferencesChapter 6: Live from the ether: YouTube and live music video culture; 6.1 . Introduction; 6.2 . Free-for-all: the YouTube model; 6.3 . It's all here: community and access; 6.4 . Another promotional tool: the official model; 6.5 . Identifying the fanvid: the amateur-professional divide; 6.6 . The heart of copygrey: the user-generated model; 6.7 . Offsetting copygrey: YouTube services; 6.8 . A live-streaming case study: Coachella; 6.9 . Conclusion; References; Chapter 7: Live music in a virtual world: exuberant flourishing and disability at Wheelies nightclub in Second Life 7.1 . Second Life: looking forward, looking back7.2 . Identity avatars and disability; 7.3 . Second Life, live music, and disability; 7.4 . Wheelies, live music, and engagement; 7.5 . Conclusion; References; Chapter 8: The sounds of Skyrim: a musical journey through gaming; 8.1 . Introduction; 8.2 . The music of Skyrim; 8.2.1 . Music in-game; 8.2.2 . Music from the game; 8.3 . Music and live-gaming experiences: a moment in time, a moment in mind; References; Section Three: Live after death ; Chapter 9: Dead music in live music culture; 9.1 . Deadness in liveness; 9.1.1 . Dead? Music 9.1.2 . Live |
| Record Nr. | UNINA-9910817443203321 |
| Waltham, MA : , : Chandos Publishing, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digital futures : expert briefings on digital technologies for education and research / / edited by Martin Hall, Martyn Harrow, Lorraine Estelle
| Digital futures : expert briefings on digital technologies for education and research / / edited by Martin Hall, Martyn Harrow, Lorraine Estelle |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Waltham, MA : , : Chandos Publishing, , [2015] |
| Descrizione fisica | 1 online resource (xviii, 50 pages) |
| Disciplina | 371.334 |
| Collana | Chandos information professional series |
| Soggetto topico |
Digital libraries
Electronic information resources |
| ISBN |
0-08-100400-1
0-08-100384-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Digital Futures; Copyright Page; Contents; About the Editors; About the Contributors; Introduction; MOOCs; Open Access; Managing Digital Risks; Open Data; The Digital Student Experience; International Collaboration; 1 MOOCs; 1.1 The Melting of the MOOC; 1.2 From Education to Training; 1.3 Fight or Flight; References; 2 Open Access: The Costs and Opportunities; 2.1 Introduction; 2.2 The Costs of OA; 2.2.1 APCs; 2.2.2 The Total Cost of Ownership; 2.2.3 Administration and Compliance; 2.3 The Opportunities for OA; 2.3.1 Collaboration; 2.3.2 Metadata and Standards; 2.3.3 Licensing
2.3.4 Workflows2.4 Research Impact; 3 Creating Opportunities Through Security; 3.1 Understanding Security in Research and Education; 3.2 New Ways of Being Secure; 3.3 Designing Security for Research and Education; 3.4 Creating Opportunities Through Safe Working; References; 4 Open Data: Higher and Further Education Stepping up to the Challenge; 4.1 Why It Matters; 4.2 Where Is Further and Higher Education?; 5 Enhancing the Digital Student Experience; 5.1 What Is Changing?; 5.2 Who Owns the Technology?; 5.3 How Is Technology Enhancing the Curriculum? 5.4 How Is Technology Enhancing Assessment?5.5 How Are Students Engaged in Developing the Digital Student Experience?; 5.6 What Are the Challenges Facing Institutions?; 5.7 Principles for Developing an Enhanced Digital Student Experience; References; 6 International Collaboration and the Changing Digital World - Opportunities and Constraints; 6.1 Introduction; 6.2 Research E-infrastructure; 6.3 Network E-infrastructure; 6.4 Computational E-infrastructure; 6.5 Data E-infrastructure; 6.6 Virtual Research Environments; 6.7 Virtual communication; 6.8 Conclusion; References |
| Record Nr. | UNINA-9910797349603321 |
| Waltham, MA : , : Chandos Publishing, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digital futures : expert briefings on digital technologies for education and research / / edited by Martin Hall, Martyn Harrow, Lorraine Estelle
| Digital futures : expert briefings on digital technologies for education and research / / edited by Martin Hall, Martyn Harrow, Lorraine Estelle |
| Edizione | [1st edition] |
| Pubbl/distr/stampa | Waltham, MA : , : Chandos Publishing, , [2015] |
| Descrizione fisica | 1 online resource (xviii, 50 pages) |
| Disciplina | 371.334 |
| Collana | Chandos information professional series |
| Soggetto topico |
Digital libraries
Electronic information resources |
| ISBN |
0-08-100400-1
0-08-100384-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Front Cover; Digital Futures; Copyright Page; Contents; About the Editors; About the Contributors; Introduction; MOOCs; Open Access; Managing Digital Risks; Open Data; The Digital Student Experience; International Collaboration; 1 MOOCs; 1.1 The Melting of the MOOC; 1.2 From Education to Training; 1.3 Fight or Flight; References; 2 Open Access: The Costs and Opportunities; 2.1 Introduction; 2.2 The Costs of OA; 2.2.1 APCs; 2.2.2 The Total Cost of Ownership; 2.2.3 Administration and Compliance; 2.3 The Opportunities for OA; 2.3.1 Collaboration; 2.3.2 Metadata and Standards; 2.3.3 Licensing
2.3.4 Workflows2.4 Research Impact; 3 Creating Opportunities Through Security; 3.1 Understanding Security in Research and Education; 3.2 New Ways of Being Secure; 3.3 Designing Security for Research and Education; 3.4 Creating Opportunities Through Safe Working; References; 4 Open Data: Higher and Further Education Stepping up to the Challenge; 4.1 Why It Matters; 4.2 Where Is Further and Higher Education?; 5 Enhancing the Digital Student Experience; 5.1 What Is Changing?; 5.2 Who Owns the Technology?; 5.3 How Is Technology Enhancing the Curriculum? 5.4 How Is Technology Enhancing Assessment?5.5 How Are Students Engaged in Developing the Digital Student Experience?; 5.6 What Are the Challenges Facing Institutions?; 5.7 Principles for Developing an Enhanced Digital Student Experience; References; 6 International Collaboration and the Changing Digital World - Opportunities and Constraints; 6.1 Introduction; 6.2 Research E-infrastructure; 6.3 Network E-infrastructure; 6.4 Computational E-infrastructure; 6.5 Data E-infrastructure; 6.6 Virtual Research Environments; 6.7 Virtual communication; 6.8 Conclusion; References |
| Record Nr. | UNINA-9910809020303321 |
| Waltham, MA : , : Chandos Publishing, , [2015] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digital humanities, libraries, and partnerships : a critical examination of labor, networks, and community / / edited by Robin Kear and Kate Joranson
| Digital humanities, libraries, and partnerships : a critical examination of labor, networks, and community / / edited by Robin Kear and Kate Joranson |
| Pubbl/distr/stampa | Boston, Massachusetts : , : Chandos Publishing, , 2018 |
| Descrizione fisica | 1 online resource (225 pages) : illustrations (some color) |
| Disciplina |
001.30285
025.060013 |
| Collana | Chandos Information Professional Series |
| Soggetto topico |
Humanities - Digital libraries
Digital humanities |
| ISBN |
0-08-102024-4
0-08-102023-6 9780081020241 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910583368603321 |
| Boston, Massachusetts : , : Chandos Publishing, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Digital Participation through Social Living Labs : Valuing Local Knowledge, Enhancing Engagement / Michael Dezuanni, Marcus Foth, Kerry Mallan, Hilary Hughes
| Digital Participation through Social Living Labs : Valuing Local Knowledge, Enhancing Engagement / Michael Dezuanni, Marcus Foth, Kerry Mallan, Hilary Hughes |
| Autore | DEZUANNI, Michael |
| Pubbl/distr/stampa | Cambridge (MA) : Chandos Publishing, 2017 |
| Descrizione fisica | XX, 362 p. ; 23 cm |
| Disciplina | 020.92 |
| Altri autori (Persone) | FOTH, Marcus |
| Collana | Chandos information professional series |
| Soggetto topico | Scuole per bibliotecari |
| ISBN | 978-0-08-102059-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-996236447903316 |
|
DEZUANNI, Michael
|
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| Cambridge (MA) : Chandos Publishing, 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
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