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Teatro scozzese / a cura di Dimitri Milopulos ; introduzione di Jacques Le Ny
| Teatro scozzese / a cura di Dimitri Milopulos ; introduzione di Jacques Le Ny |
| Pubbl/distr/stampa | Milano : Ubulibri, c2007 |
| Descrizione fisica | 303 p. ; 22 cm |
| Disciplina | 790 |
| Collana | I testi Ubulibri |
| Soggetto topico | Teatro |
| ISBN | 88-774-48292-1 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Nota di contenuto | Contiene: Pulendo il culo di mia madre / Iain Heggie ; traduzione di Lorenzo Stefano Borgotallo. Amore ricucito / Anthony Neilson ; traduzione di Pino Tierno e Pietro Bontempo. La nuova tonaca di Dio / John Clifford ; traduzione di Lorenzo Stefano Borgotallo. San Diego / David Greig ; traduzione di Marta Francavilla e Barbara Nativi. Inno infranto / Sharman Macdonald ; traduzione di Marta Francavilla. Un uomo trovato / Riccardo Galgani ; traduzione di Pietro Bontempo |
| Altri titoli varianti |
Pulendo il culo di mia madre
Amore ricucito La nuova tonaca di Dio Inno infranto Un uomo trovato |
| Record Nr. | UNISA-990003250980203316 |
| Milano : Ubulibri, c2007 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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The day of the jackal / directed by Fred Zinnemann
| The day of the jackal / directed by Fred Zinnemann |
| Pubbl/distr/stampa | London : Warwick Film Productions/ Universal Pictures, 1973 |
| Descrizione fisica | 1 videocassetta |
| Disciplina | 790 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-990003313110403321 |
| London : Warwick Film Productions/ Universal Pictures, 1973 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The fool and his sceptre : a study in clowns and jester and their audience / by William Willeford
| The fool and his sceptre : a study in clowns and jester and their audience / by William Willeford |
| Autore | WILLEFORD, William |
| Pubbl/distr/stampa | London, : Arnold, 1969 |
| Descrizione fisica | XXI, 265 p. : ill. ; 24 cm. |
| Disciplina | 790(Arti ricreative e arti dell'esecuzione e dello spettacolo) |
| Soggetto topico | «CLOWNS» |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNIOR-UON00300384 |
WILLEFORD, William
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| London, : Arnold, 1969 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. L'Orientale | ||
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The Glenn Miller Story. Directed by Anthony Mann (1953)
| The Glenn Miller Story. Directed by Anthony Mann (1953) |
| Pubbl/distr/stampa | s.l. : Universal Pictures (Produced by A. Rosenberg), 1989 |
| Disciplina | 790 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Record Nr. | UNINA-990003319070403321 |
| s.l. : Universal Pictures (Produced by A. Rosenberg), 1989 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Theatre of Death – The Uncanny in Mimesis [[electronic resource] ] : Tadeusz Kantor, Aby Warburg, and an Iconology of the Actor / / by Mischa Twitchin
| The Theatre of Death – The Uncanny in Mimesis [[electronic resource] ] : Tadeusz Kantor, Aby Warburg, and an Iconology of the Actor / / by Mischa Twitchin |
| Autore | Twitchin Mischa |
| Edizione | [1st ed. 2016.] |
| Pubbl/distr/stampa | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
| Descrizione fisica | 1 online resource (XIII, 336 p. 1 illus.) |
| Disciplina | 790 |
| Collana | Performance Philosophy |
| Soggetto topico |
Performing arts
Philosophy Performing Arts Philosophy, general |
| ISBN | 1-137-47872-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction. Three instances of present readings of past writings -- Part I. Thinking of the dead through a concept of theatre (The Dead Class) -- Part II. Chapter 1. Precedents (Craig and Artaud, Maeterlinck and Witkiewicz) -- Chapter 2. Survivals and the uncanny -- Chapter 3. Superstition and an iconology -- Part III. Chapter 1. What do we see in theatre – in theory? -- Chapter 2. A question of appearance – enter the actor -- Part IV. Tadeusz Kantor – An avant-garde of death -- Bibliography. |
| Record Nr. | UNINA-9910136016103321 |
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Twitchin Mischa
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| London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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The Theatre of Imagining [[electronic resource] ] : A Cultural History of Imagination in the Mind and on the Stage / / by Ulla Kallenbach
| The Theatre of Imagining [[electronic resource] ] : A Cultural History of Imagination in the Mind and on the Stage / / by Ulla Kallenbach |
| Autore | Kallenbach Ulla |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (XV, 324 p. 25 illus.) |
| Disciplina | 790 |
| Soggetto topico |
Performing arts
Theater—History Philosophy of mind Culture—Study and teaching Performing Arts Theatre History Philosophy of Mind Cultural Theory |
| ISBN | 3-319-76303-2 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Introduction -- 2. The Mirror and the Messenger -- 3. Corruption or Perfection? The Precariousness of the Early Modern Imagination -- 4. Macbeth: A Dramaturgy of Deceit -- 5. From Mirror to Lamp -- 6. The Disenchantment of the Idealist Imagination -- 7. A Doll’s House - Performing the Cultural Imaginary -- 8. The Late Modern Re-Imagining Imagination -- 9. The Killer - The Interplay of Absence and Presence -- 10. Towards a Dramaturgy of Physicalization and Imagination. |
| Record Nr. | UNINA-9910300034503321 |
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Kallenbach Ulla
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Theatre, Performance and Change [[electronic resource] /] / edited by Stephani Etheridge Woodson, Tamara Underiner
| Theatre, Performance and Change [[electronic resource] /] / edited by Stephani Etheridge Woodson, Tamara Underiner |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 |
| Descrizione fisica | 1 online resource (LV, 344 p. 4 illus.) |
| Disciplina | 790 |
| Soggetto topico |
Performing arts
Theater Actors Performing Arts Contemporary Theatre Performers and Practitioners |
| ISBN | 3-319-65828-X |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | 1. Stephani Etheridge Woodson and Tamara Underiner; Introduction -- 2. Daniel Banks; Taking the Mic: Hip Hop’s Call for Change -- 3. Paul Bonin-Rodriguez & Charlotte M. Canning; Rehearsing Citizenship: Performance as Public Practice in the Undergraduate Curriculum -- 4. David Calder; Street Performers Working for Change -- 5. Young Ai Choi; The Third Space: Inter-cultural Youth Performance as a Catalyst for Change -- 6. Jan Cohen-Cruz; Uncommon Partnerships -- 7. Kathryn Dawson; Reflections on School Change through the Arts -- 8. Linda Essig; n=1 -- 9. John Fletcher; Denouement: Notes on the End(s) of Activism -- 10. Marcela A. Fuentes; Making Change: Performance and the Workings of the Event -- 11. Lorenzo Garcia; Adding to the Dialogue with Latina/o Plays for Young Audiences -- 12. Nadine George-Graves; An Environment of Cascading Consequences -- 13. Jamie Haft; Creating a Populist Theatre -- 14. Norifumi Hida; Laying the groundwork for dramatic results: ASSITEJ’s Next Generation -- 15. Jorge A. Huerta; Fifty Years of Chicano Theatre: Mapping the Face(s) of the New American Theatre -- 16. Lisa Jackson-Schebetta; In the Heights at the University of Pittsburgh: Failures, Successes and Change -- 17. Elizabeth Johnson; Choreography, Connections and Change -- 18. Daniel A. Kelin, II; The Journey Matters: Agency through Artistry -- 19. Michal Kobialka; “Of Change” -- 20. Bridget Kiger Lee and Patricia Enciso; Testing the Waters of Change in the Classroom: The Case for Incremental Transformation in Teacher Practice -- 21. Stephanie Lein Walseth; Racial Justice Activism and Equitable Partnerships: Theories of Change from Theatres of Color -- 22. Robert H. Leonard; Theatre and Social Imaginaries -- 23. Ruby Lerner; Radical Creativity as a Lever for Social Change: Why It Matters, What It Takes -- 24. Scott Magelssen; Why Do They Think this is Okay? Defending Performance as a Means for Change -- 25. Mary McAvoy; What We Left Behind in our Race to the Top: Education Reform Goes Metaformative -- 26. Talleri A. McRae; The Aesthetics of Inclusion -- 27. Carlos Morton;Changes, Everything Changes (Cambia, todo cambia) -- 28. Tobin Nellhaus; Big History -- 29. Michael Rohd: 100 Questions/3 ideas/1 story/and a ghost -- 30. Jon D. Rossini; Shift 2 -- 31. Alan Sikes; “The Odéon is Open” Performative Politics and the Paris 1968 Uprising -- 32. Dani Snyder-Young; Despite artists’ intentions, emancipated spectatorship reinforces audience members’ existing attitudes and beliefs -- 33. Caridad Svich; The breath of change or how to stay awake when the world desires sleep and other thoughts about theatre, performance and Bowie’s Ch-changes -- 34. E.J. Westlake; The Waning of Affect, the End of the Liberal Project, and the Rehearsal of Social Change: a Page from the Millennial Playbook -- 35. W. B. Worthen; (Inter)disciplinary Change -- 36. Patricia Ybarra; The Administrator as Activist -- 37. Stephani Etheridge Woodson and Tamara Underiner. And…? |
| Record Nr. | UNINA-9910300003203321 |
| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Theatre, Social Media, and Meaning Making [[electronic resource] /] / by Bree Hadley
| Theatre, Social Media, and Meaning Making [[electronic resource] /] / by Bree Hadley |
| Autore | Hadley Bree |
| Edizione | [1st ed. 2017.] |
| Pubbl/distr/stampa | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 |
| Descrizione fisica | 1 online resource (IX, 256 p. 2 illus.) |
| Disciplina | 790 |
| Soggetto topico |
Performing arts
Theater—History Performing Arts Theatre History |
| ISBN | 3-319-54882-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | List of Figures -- Acknowledgements -- 1. Introduction,- 2. Social Media: Platforms, Networks and Influences -- 3. Social Media as Theatre Stage: Aesthetics, Affordances and Interactivities -- 4. Social Media as Critical Stage: Controversy, Debate and Democracy -- 5. Social Media as Cultural Stage: Co-Creation, Audience Collaboration, and the Construction of Theatre Cultures -- 6. Conclusion -- References. |
| Record Nr. | UNINA-9910255081803321 |
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Hadley Bree
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| Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Translocal Performance in Asian Theatre and Film [[electronic resource] /] / by Iris H. Tuan
| Translocal Performance in Asian Theatre and Film [[electronic resource] /] / by Iris H. Tuan |
| Autore | Tuan Iris H |
| Edizione | [1st ed. 2018.] |
| Pubbl/distr/stampa | Singapore : , : Springer Singapore : , : Imprint : Palgrave Pivot, , 2018 |
| Descrizione fisica | 1 online resource |
| Disciplina | 790 |
| Collana | Palgrave pivot |
| Soggetto topico |
Performing arts
Motion pictures—Asia Culture Technology Performing Arts Asian Cinema and TV Culture and Technology |
| ISBN | 981-10-8609-5 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction -- Methodologies: From Postcolonial Feminism and Creolization toward Translocal -- Part One: Intercultural Theatre in Taiwan -- CLT’s A Midsummer Night’s Dream: Tradition, Modernity and Translocality -- Yukio Ninagawa’s Hamlet in Taiwan: Intercultural Representation -- Theatre Represents Literature: Love and Labor in Send Away Under Escort -- Part Two: From Local to Global—Hakka, Dance, Chinese Musical, and Film -- Change of Hakka Opera: Ethnicity and Creation in Hakka Musical and Hakka TV Drama -- Hakka Culture and Image in Film and Performance -- Irresistible Seduction and Translocal Labor of Musical Theatre in Taiwan: From Translation to Multi- Arts -- Spectacle, Adaptation and Sexuality in Chinese Musicals -- The Abject, Murder and Sex in the Golden Horse Awards Film The Great Buddha+ -- Sex, Money, Calculating and Manipulative in Politics in the Golden Horse Awards Film The Bold, The Corrupt, and The Beautiful -- Conclusion. |
| Record Nr. | UNINA-9910300008203321 |
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Tuan Iris H
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| Singapore : , : Springer Singapore : , : Imprint : Palgrave Pivot, , 2018 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
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Una quadrilogia : L'odore assordante del bianco : Processo a Dio : Memorie del boia : La fine di Shavuoth / Stefano Massini ; introduzione di Franco Quadri
| Una quadrilogia : L'odore assordante del bianco : Processo a Dio : Memorie del boia : La fine di Shavuoth / Stefano Massini ; introduzione di Franco Quadri |
| Autore | MASSINI, Stefano |
| Pubbl/distr/stampa | Milano : Ubulibri, c2006 |
| Descrizione fisica | 195 p. ; 22 cm |
| Disciplina | 790 |
| Collana | I testi Ubulibri |
| Soggetto topico | Teatro |
| ISBN | 88-774-48278-8 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | ita |
| Altri titoli varianti |
L' odore assordante del bianco
Processo a Dio Memorie del boia La fine di Shavuot |
| Record Nr. | UNISA-990003251320203316 |
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MASSINI, Stefano
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| Milano : Ubulibri, c2006 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
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