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The wounds of nations : horror cinema, historical trauma and national identity / / Linnie Blake



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Autore: Blake Linnie Visualizza persona
Titolo: The wounds of nations : horror cinema, historical trauma and national identity / / Linnie Blake Visualizza cluster
Pubblicazione: Manchester ; ; New York : , : Manchester University Press, , c2008
Edizione: 1st ed.
Descrizione fisica: 1 online resource (233 pages)
Disciplina: 791.436164
Soggetto topico: Horror films - History and criticism
National characteristics in motion pictures
Motion pictures and history
ART - Film & Video
Soggetto non controllato: German Reunification
body horror
genocide
hillbilly horror
horror cinema
political change
post-Thatcherite masculinity
supernaturalism
traumatic events
war
Note generali: Description based upon print version of record.
Nota di bibliografia: Includes bibliographical references (p. [201]-217) and index.
Includes filmography.
Nota di contenuto: German and Japanese horror : the traumatic legacy of the Second World War. The horror of the Nazi past in the reunification present : Jörg Buttgereit's Nekromantiks ; Nihonjinron, women, horror : post-war national identity and the spirit of subaltern vengeance in Ringu and The ring -- The traumatised 1970s and the threat of apocalypse now. 'Consumed out of the good land' : George A. Romero's horror of the 1970s ; All hail to the serial killer : America's last frontier hero in the age of Reaganite eschatology and beyond -- From Vietnam to 9/11 : the orientalist other and the American poor white. 'Squealing like a pig' : the War on Terror and the resurgence of hillbilly horror after 9/11 -- New Labour new horrors : the post-Thatcherite crisis of British masculinity. Zombies, dog men and dragon : generic hybridity and gender crisis in British horror of the new millennium.
Sommario/riassunto: The wounds of nations explores the ways in which horror films allows international audiences to deal with the horrors of recent history - from genocide to terrorist outrage, nuclear war to radical political change. Far from being mere escapism or titillation, it shows how horror (whether it be from 1970's America, 1980's Germany, post-Thatcherite Britain or post-9/11 America) is in fact a highly political and potentially therapeutic film genre that enables us to explore, and potentially recover from, the terrors of life in the real world. Exploring a wide range of stylistically distinctive and...
Altri titoli varianti: Horror cinema, historical trauma and national identity
Titolo autorizzato: The wounds of nations  Visualizza cluster
ISBN: 1-78170-091-5
1-84779-162-X
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910819988803321
Lo trovi qui: Univ. Federico II
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