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100   $a20090515d2008      uy         0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 14$aThe wounds of nations $ehorror cinema, historical trauma and national identity /$fLinnie Blake
205   $a1st ed.
210  1$aManchester ;$aNew York :$cManchester University Press,$dc2008.
215   $a1 online resource (233 pages)
300   $aDescription based upon print version of record.
311 0 $a0-7190-7594-7 
311 0 $a0-7190-7593-9 
320   $aIncludes bibliographical references (p. [201]-217) and index.
320   $aIncludes filmography.
327   $aGerman and Japanese horror : the traumatic legacy of the Second World War. The horror of the Nazi past in the reunification present : Jo?rg Buttgereit's Nekromantiks ; Nihonjinron, women, horror : post-war national identity and the spirit of subaltern vengeance in Ringu and The ring -- The traumatised 1970s and the threat of apocalypse now. 'Consumed out of the good land' : George A. Romero's horror of the 1970s ; All hail to the serial killer : America's last frontier hero in the age of Reaganite eschatology and beyond -- From Vietnam to 9/11 : the orientalist other and the American poor white. 'Squealing like a pig' : the War on Terror and the resurgence of hillbilly horror after 9/11 -- New Labour new horrors : the post-Thatcherite crisis of British masculinity. Zombies, dog men and dragon : generic hybridity and gender crisis in British horror of the new millennium.
330   $aThe wounds of nations explores the ways in which horror films allows international audiences to deal with the horrors of recent history - from genocide to terrorist outrage, nuclear war to radical political change. Far from being mere escapism or titillation, it shows how horror (whether it be from 1970's America, 1980's Germany, post-Thatcherite Britain or post-9/11 America) is in fact a highly political and potentially therapeutic film genre that enables us to explore, and potentially recover from, the terrors of life in the real world. Exploring a wide range of stylistically distinctive and...
517 3 $aHorror cinema, historical trauma and national identity
606   $aHorror films$xHistory and criticism
606   $aNational characteristics in motion pictures
606   $aMotion pictures and history
606   $aART$xFilm & Video$2bisacsh
610   $aGerman Reunification.
610   $abody horror.
610   $agenocide.
610   $ahillbilly horror.
610   $ahorror cinema.
610   $apolitical change.
610   $apost-Thatcherite masculinity.
610   $asupernaturalism.
610   $atraumatic events.
610   $awar.
615  0$aHorror films$xHistory and criticism.
615  0$aNational characteristics in motion pictures.
615  0$aMotion pictures and history.
615  7$aART$xFilm & Video.
676   $a791.436164
700   $aBlake$b Linnie$01693445
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910819988803321
996   $aThe wounds of nations$94071239
997   $aUNINA