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| Autore: |
Zurbrugg Nicholas
|
| Titolo: |
The parameters of postmodernism / / Nicholas Zurbrugg
|
| Pubblicazione: | Carbondale, : Southern Illinois University Press, c1993 |
| Edizione: | 1st ed. |
| Descrizione fisica: | 1 online resource (201 p.) |
| Disciplina: | 809/.04 |
| Soggetto topico: | Postmodernism (Literature) |
| Postmodernism | |
| Note generali: | Description based upon print version of record. |
| Nota di bibliografia: | Includes bibliographical references and index. |
| Nota di contenuto: | Book Cover; Title; Contents; Preface; Acknowledgments; Anti-Art or Ante-Art?; Monumental Art or Submonumental Art?; Eagleton and the Apocalyptic Fallacy; Introducing the B-Effect; Introducing the C-Effect; Deploring/Exploring Hyperspace: Jameson and Cage; Stupefaction or Enlivenment?; Benjamin and the Loss of Aura; Barthes, Belsey, and the Death of the Author; Brger and the Death of the Avant-Garde; Bonito-Oliva, Baudrillard, and the Collapse of the New; Beckett, Brecht, and the Attractions of Antinarrative; Beckett's Poetics of Failure/Brecht's Poetics of Interrogation |
| Beckett, Brecht, and the Groan of the Text Eagleton, Jameson, and Dehistoricized Culture; Cage, Kostelanetz, and Value Judgments; Jameson, Rauschenberg, and Premature Exasperation; Cage, Rauschenberg, and Ryman; Cage and Consumption; Collective Narrative and the Struggle with Simulacra; Depersonalized Culture or Repersonalized Culture?; Cage and the Antilogic of the Text; Beckett, Cage, and Nothing; Beckett, Cage, and Programmatic Composition; Purposeful Purposelessness or Nothing to Be Done?; Jameson, Bourdieu, and the Destruction of Art and Taste; Chion, Cage, and New Aesthetic Rationales | |
| Postmodernism's Purist Aesthetic Postmodernism's Hybrid Aesthetic; Feldman, Crazy Contradiction, and the Conceptual, Artistic Life; Pure ~H~; Habermas and Communicative Rationality; Beuys, Adorno, and the Silence of Marcel Duchamp; Beuys, Cage, Buchloh, and the B-B-Effect; Jappe, Jameson, and the Concept of Utopia; Bense, Concrete Poetry, and the Dwindling of the Poetic Element; Chopin, Human Vitality, and Technological Civilization; Conz and the New Saints of the Avant-Garde; A Problem in Design: Lax and Mann; Postmodernism at Two Speeds: Hassan, Janco, and Seuphor | |
| Rainer, Robbe-Grillet, Reich, and the Turn to Interobjectivity Robbe-Grillet and the Re-turn to the Subjective Type of Writing; Rainer and the Re-turn to Identity; Reich and the Re-turn to Historical Realities; Multimedia Art in the Age of Mechanical Reproduction: Gaburo and Ashley; Monk and the Re-turn to Recurrence; Umberto Eco and the Re-turn to the Middle Ages; Grass and the Destruction of Mankind; Grass, Mann, and the Re-turn to Forbidden Literature; Ernst, Carrington, and the Re-turn of Surrealism; Carrington, Cage, Beuys, and the Poetics of Resistance | |
| Cage, Carrington, Barthes, Burroughs, Bense: From Artha to Moksha Cage, Wolf, and the Re-turn to the Third Alternative; Wolf, Mann, and the Authority of Literary Genres; Miller, Beuys, and the Elevation of the Berlin Wall; Miller, Brecht, and the Petrification of Hope; Miller, Wilson, and the Re-turn to the Classics; Huyssen and the Endgame of the Avant-Garde; Huyssen, Popper, and the Electrification of the Avant-Garde; Buuel, Breton, Benjamin, Baudrillard, and the Myths of Mechanical Depersonalization; DeLillo, Miller, Lyotard, Kroker, and the Panic Sensibility | |
| Ballard, The Kindness of Women, and Catharsis | |
| Sommario/riassunto: | This ground-breaking work draws upon the authors interviews with leading postmodern artists, including Baudrillard, Beckett, Cage and Glass. It offers a challenging and positive view of postmodern culture. |
| Titolo autorizzato: | Parameters of postmodernism ![]() |
| ISBN: | 0-8093-1887-3 |
| 0-203-20517-0 | |
| 1-134-84592-8 | |
| 1-134-84591-X | |
| 0-203-28817-3 | |
| 1-280-03237-5 | |
| Formato: | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione: | Inglese |
| Record Nr.: | 9910963263303321 |
| Lo trovi qui: | Univ. Federico II |
| Opac: | Controlla la disponibilità qui |