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Royal Divine Coronation Iconography in the Medieval Euro-Mediterranean Area



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Autore: Vagnoni Mirko Visualizza persona
Titolo: Royal Divine Coronation Iconography in the Medieval Euro-Mediterranean Area Visualizza cluster
Pubblicazione: Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2020
Descrizione fisica: 1 electronic resource (112 p.)
Soggetto topico: The arts
History of art / art & design styles
Soggetto non controllato: royal divine coronation
royal iconography
royal sacrality
power-religion relationship
medieval kingship
angelology
angels
Angelus Domini
angelic coronation
St Stephen I of Hungary
St Ladislaus I of Hungary
Matthias Corvinus
Chronici Hungarici compositio saeculi XIV
Hartvik Legend
Luigi Lippomano
apocalyptic visions
prophetism
messianism
Crown of Aragon
Germanias revolt
coronation
laicization
sacralization
rex et sacerdos
iconography
Portuguese kings
tomb sculpture
statues
regaliae
cathedral
Abbey of Saint-Denis
festival crowing
Abbot Suger (1122–1151)
consecration
Persona (resp. second.): VagnoniMirko
Sommario/riassunto: In the last decades, historians and art historians have created an active historiographical debate about one of the most fascinating and studied iconographic themes of the Middle Ages: the royal divine coronation. Indeed, in the specific case of some Ottonian and Salian illuminations, it has been proposed that their function was not only political or to legitimize power, as traditionally suggested (Herrscherbilder), but also liturgical and religious (Memorialbilder). This has led to a complete rethinking of the meaning of this iconographic theme: the divine coronation of the king would not symbolically allude to his earthly power but to the wholly devotional hope of receiving the crown of eternal life in the afterlife. If this academic debate has been concentrated, above all, on Ottonian and Salian royal images, this Special Issue of Arts would like to deal with this topic by stimulating the analysis of royal divine coronation and blessing scenes in religious and liturgical context (mosaics, frescos, or paintings placed in cathedrals or monastic churches and illuminations of liturgical texts) with a wider geographical and temporal setting; that is, the European and Mediterranean kingdoms in the period from the 12th to the 15th centuries.
Titolo autorizzato: Royal Divine Coronation Iconography in the Medieval Euro-Mediterranean Area  Visualizza cluster
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910557112603321
Lo trovi qui: Univ. Federico II
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