LEADER 03251nam 2200457 450 001 9910794261303321 005 20230629234446.0 010 $a0-429-27393-2 010 $a1-000-21028-6 010 $a1-000-21024-3 035 $a(CKB)4100000011458067 035 $a(MiAaPQ)EBC6349509 035 $a(EXLCZ)994100000011458067 100 $a20201205d2021 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDecolonial feminist research $ehaunting, rememory and mothers /$fJeong-eun Rhee 210 1$aLondon ;$aNew York, New York :$cRoutledge,$d[2021]. 210 4$dİ2021 215 $a1 online resource (129 pages) 311 $a0-367-22235-3 330 $a"In Decolonial Feminist Research: Haunting, Rememory and Mothers, Jeong-eun Rhee embarks on a deeply personal inquiry that is demanded by her dead mother's haunting rememory and pursues what has become her work/life question: What methodologies are available to notice and study a reality that exceeds and defies modern scientific ontology and intelligibility? Rhee is a Korean migrant American educational qualitative researcher, who learns anew how to notice, feel, research, and write her mother's rememory across time, geography, languages, and ways of knowing and being. She draws on Toni Morrison's concept of "rememory" and Theresa Hak Kyung Cha's "fragmented-multi self." Using various genres such as poems, dialogues, fictions, and theories, Rhee documents a multi-layered process of conceptualizing, researching, and writing her (m/others') transnational rememory as a collective knowledge project of intergenerational decolonial feminists of color. In doing so, the book addresses the following questions: How can researchers write in the name and practice of research what can never be known or narrated with logic and reason? What methodologies can be used to work through and with both personal and collective losses, wounds, and connections that have become y/our questions? Rhee shows how to feel connectivity and fragmentation as/of self not as binary but as constitutive through rememory and invites readers to explore possibilities of decolonial feminist research as an affective bridge to imagine, rememory, and engender healing knowledge. Embodied onto-epistemologies of women of color haunt and thus demand researchers to contest and cross the boundary of questions, topics, methodologies, and academic disciplinary knowledge that are counted as relevant, appropriate, and legitimate within a dominant western science regime. This book is for qualitative researchers and feminism scholars who are pursuing these kinds of boundary-crossing "personal" inquiries"--$cPublisher's description. 606 $aFeminism$xResearch 606 $aCollective memory 606 $aMothers 615 0$aFeminism$xResearch. 615 0$aCollective memory. 615 0$aMothers. 676 $a305.42072 700 $aRhee$b Jeong-eun$01479595 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 801 2$bAzTeS 906 $aBOOK 912 $a9910794261303321 996 $aDecolonial feminist research$93695782 997 $aUNINA LEADER 03527nam 2200769z- 450 001 9910557112603321 005 20210501 035 $a(CKB)5400000000040920 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/69412 035 $a(oapen)doab69412 035 $a(EXLCZ)995400000000040920 100 $a20202105d2020 |y 0 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aRoyal Divine Coronation Iconography in the Medieval Euro-Mediterranean Area 210 $aBasel, Switzerland$cMDPI - Multidisciplinary Digital Publishing Institute$d2020 215 $a1 online resource (112 p.) 311 08$a3-03943-751-8 311 08$a3-03943-752-6 330 $aIn the last decades, historians and art historians have created an active historiographical debate about one of the most fascinating and studied iconographic themes of the Middle Ages: the royal divine coronation. Indeed, in the specific case of some Ottonian and Salian illuminations, it has been proposed that their function was not only political or to legitimize power, as traditionally suggested (Herrscherbilder), but also liturgical and religious (Memorialbilder). This has led to a complete rethinking of the meaning of this iconographic theme: the divine coronation of the king would not symbolically allude to his earthly power but to the wholly devotional hope of receiving the crown of eternal life in the afterlife. If this academic debate has been concentrated, above all, on Ottonian and Salian royal images, this Special Issue of Arts would like to deal with this topic by stimulating the analysis of royal divine coronation and blessing scenes in religious and liturgical context (mosaics, frescos, or paintings placed in cathedrals or monastic churches and illuminations of liturgical texts) with a wider geographical and temporal setting; that is, the European and Mediterranean kingdoms in the period from the 12th to the 15th centuries. 606 $aHistory of art$2bicssc 606 $aThe Arts$2bicssc 610 $aAbbey of Saint-Denis 610 $aAbbot Suger (1122-1151) 610 $aangelic coronation 610 $aangelology 610 $aangels 610 $aAngelus Domini 610 $aapocalyptic visions 610 $acathedral 610 $aChronici Hungarici compositio saeculi XIV 610 $aconsecration 610 $acoronation 610 $aCrown of Aragon 610 $afestival crowing 610 $aGermanias revolt 610 $aHartvik Legend 610 $aiconography 610 $alaicization 610 $aLuigi Lippomano 610 $aMatthias Corvinus 610 $amedieval kingship 610 $amessianism 610 $aPortuguese kings 610 $apower-religion relationship 610 $aprophetism 610 $aregaliae 610 $arex et sacerdos 610 $aroyal divine coronation 610 $aroyal iconography 610 $aroyal sacrality 610 $asacralization 610 $aSt Ladislaus I of Hungary 610 $aSt Stephen I of Hungary 610 $astatues 610 $atomb sculpture 615 7$aHistory of art 615 7$aThe Arts 700 $aVagnoni$b Mirko$4edt$0749405 702 $aVagnoni$b Mirko$4oth 906 $aBOOK 912 $a9910557112603321 996 $aRoyal Divine Coronation Iconography in the Medieval Euro-Mediterranean Area$93036769 997 $aUNINA