Religion and Folk Belief in Chinese Literature and Theatre
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| Author: |
Zhao Xiaohuan
|
| Title: |
Religion and Folk Belief in Chinese Literature and Theatre
|
| Publisher: | Basel, : MDPI - Multidisciplinary Digital Publishing Institute, 2022 |
| Physical description: | 1 electronic resource (270 p.) |
| Topical subject: | Religion & beliefs |
| Uncontrolled subject: | Cheng 誠 |
| cheng 成 | |
| sincerity | |
| completion | |
| religion | |
| ritual | |
| Classical Confucianism | |
| literature | |
| baojuan (precious scrolls) | |
| telling scriptures | |
| scroll recitation | |
| chinese folklore | |
| popular religion | |
| buddhist narrative | |
| China | |
| Xiud Yax Lus Qim (Yalu wang) | |
| Miao (Hmong) ethnic group | |
| oral performance | |
| ritual practice | |
| sorcery and witchcraft | |
| collective memory | |
| cultural heritage | |
| state presence | |
| temple festival | |
| temple theatre | |
| Jiacun Double-Fourth Temple Festival | |
| the Primordial Sovereign of the Morning Clouds (Bixia yuanjun) | |
| Shangdang | |
| Liaozhai zhiyi | |
| Daoism | |
| dramas | |
| Sichuan | |
| willow | |
| Yuan zaju | |
| shamanism | |
| legend | |
| metaphor | |
| Chinese religions | |
| Chinese literature | |
| Ming | |
| Deng Zhimo | |
| hagiography | |
| Lü Dongbin | |
| Xu Xun | |
| Sa Shoujian | |
| print culture | |
| Pei Yue | |
| poems | |
| Buddhism | |
| monks | |
| social association | |
| Miao culture | |
| performance studies | |
| performance ethnography | |
| indigenous studies | |
| folk traditions | |
| mythology | |
| the Queen Mother of the West (Xiwangmu) | |
| Han rhapsody (fu) | |
| Han paintings | |
| Hantomb stone reliefs | |
| the Wuliang Shrine | |
| Person (second resp.): | ZhaoXiaohuan |
| Summary, etc: | This edited volume offers a historical, textual and ethnoanthropological exploration of the meaning and value of religion and ritual and their form and function in relation to Chinese literature and theatre. The term ‘theatre’ is used here to refer broadly to various types of live performances—theatrical and non-theatrical; sacred and profane— presented in a religious setting, thus including ritual performance and oral performance. Likewise, literature in this volume broadly encompasses both written and oral literatures, including drama, poetry, hagiography, legend, mythology and prosimetric narrative or chantefable for telling and singing. The contributors to the issue draw on a wide range of materials from historical, philosophical and literary texts to field reports and archaeological finds to archived documents and local gazetteers to personal interviews and participant observations. While all the essays are collected under the theme of ‘Religion and Folk Belief in Chinese Literature and Theatre’, they differ from each other in subject matter, source material and research approach. Rich and varied as they are, these essays fall into two main categories, namely, a historical approach to religion and ritual recorded in (written and visual) texts and an integrated approach that combines historical inquiries into written and visual texts with ethnoanthropological fieldwork on religious rituals and associated performances. |
| Preferred title for the work: | Religion and Folk Belief in Chinese Literature and Theatre |
| ISBN: | 3-0365-5410-6 |
| Format: | Language material  |
| Bibliographic level | Monograph |
| Language: | English |
| Record Nr.: | 9910637780203321 |
| You will find it: | Univ. Federico II |
| Opac: | Check copies here |