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Music and the queer body in English literature at the fin de siècle / / Fraser Riddell [[electronic resource]]



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Autore: Riddell Fraser <1987-> Visualizza persona
Titolo: Music and the queer body in English literature at the fin de siècle / / Fraser Riddell [[electronic resource]] Visualizza cluster
Pubblicazione: Cambridge University Press, 2022
Cambridge : , : Cambridge University Press, , 2022
Descrizione fisica: 1 online resource (ix, 277 pages)
Disciplina: 820.9/357808664
Soggetto topico: English literature - 19th century - History and criticism
English literature - 20th century - History and criticism
Music in literature
Homosexuality in literature
Human body in literature
Music and literature
Homosexuality and literature
Homosexuality and music
Music - Physiological effect
Queer theory
Soggetto genere / forma: Literary criticism
Soggetto non controllato: Victorian literature
music
queer studies
Classificazione: LIT004120
Note generali: Open Access.
Title from publisher's bibliographic system (viewed on 07 Apr 2022).
Nota di contenuto: Music, emotion and the homosexual subject -- Flesh : music, masochism, queerness -- Voice : disembodiment and desire -- Touch : transmission, contact, connection -- Time : backwards listening.
Sommario/riassunto: Drawing on an ambitious range of interdisciplinary material, including literature, musical treatises and theoretical texts, Music and the Queer Body explores the central place music held for emergent queer identities in the late-nineteenth and early-twentieth centuries. Canonical writers such as Walter Pater, E. M. Forster and Virginia Woolf are discussed alongside lesser-known figures such as John Addington Symonds, Vernon Lee and Arthur Symons. Engaging with a number of historical case studies, Fraser Riddell pays particular attention to the significance of embodiment in queer musical subcultures and draws on contemporary queer theory and phenomenology to show how writers associate music with shameful, masochistic and anti-humanist subject positions. Ultimately, this study reveals how literary texts at the fin de siècle invest music with queer agency: to challenge or refuse essentialist identities, to facilitate re-conceptions of embodied subjectivity, and to present alternative sensory experiences of space and time. This title is also available as Open Access on Cambridge Core.
Titolo autorizzato: Music and the queer body in English literature at the fin de siècle  Visualizza cluster
ISBN: 1-108-99633-7
1-108-99656-6
1-108-98954-3
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910585947903321
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Serie: Cambridge studies in nineteenth-century literature and culture ; ; 137.