LEADER 03898nam 2200745 450 001 9910585947903321 005 20220420185947.0 010 $a1-108-99633-7 010 $a1-108-99656-6 010 $a1-108-98954-3 035 $a(CKB)5680000000032774 035 $a(UkCbUP)CR9781108989541 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/90968 035 $a(PPN)263757048 035 $a(EXLCZ)995680000000032774 100 $a20200917d2022|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMusic and the queer body in English literature at the fin de sie?cle /$fFraser Riddell$b[electronic resource] 210 $cCambridge University Press$d2022 210 1$aCambridge :$cCambridge University Press,$d2022. 215 $a1 online resource (ix, 277 pages) 225 1 $aCambridge studies in nineteenth-century literature and culture ;$v137 300 $aOpen Access. 300 $aTitle from publisher's bibliographic system (viewed on 07 Apr 2022). 311 $a1-108-83920-7 327 $aMusic, emotion and the homosexual subject -- Flesh : music, masochism, queerness -- Voice : disembodiment and desire -- Touch : transmission, contact, connection -- Time : backwards listening. 330 $aDrawing on an ambitious range of interdisciplinary material, including literature, musical treatises and theoretical texts, Music and the Queer Body explores the central place music held for emergent queer identities in the late-nineteenth and early-twentieth centuries. Canonical writers such as Walter Pater, E. M. Forster and Virginia Woolf are discussed alongside lesser-known figures such as John Addington Symonds, Vernon Lee and Arthur Symons. Engaging with a number of historical case studies, Fraser Riddell pays particular attention to the significance of embodiment in queer musical subcultures and draws on contemporary queer theory and phenomenology to show how writers associate music with shameful, masochistic and anti-humanist subject positions. Ultimately, this study reveals how literary texts at the fin de sie?cle invest music with queer agency: to challenge or refuse essentialist identities, to facilitate re-conceptions of embodied subjectivity, and to present alternative sensory experiences of space and time. This title is also available as Open Access on Cambridge Core. 410 0$aCambridge studies in nineteenth-century literature and culture ;$v137. 606 $aEnglish literature$y19th century$xHistory and criticism 606 $aEnglish literature$y20th century$xHistory and criticism 606 $aMusic in literature 606 $aHomosexuality in literature 606 $aHuman body in literature 606 $aMusic and literature 606 $aHomosexuality and literature 606 $aHomosexuality and music 606 $aMusic$xPhysiological effect 606 $aQueer theory 608 $aLiterary criticism.$2lcgft 610 $aVictorian literature 610 $amusic 610 $aqueer studies 615 0$aEnglish literature$xHistory and criticism. 615 0$aEnglish literature$xHistory and criticism. 615 0$aMusic in literature. 615 0$aHomosexuality in literature. 615 0$aHuman body in literature. 615 0$aMusic and literature. 615 0$aHomosexuality and literature. 615 0$aHomosexuality and music. 615 0$aMusic$xPhysiological effect. 615 0$aQueer theory. 676 $a820.9/357808664 686 $aLIT004120$2bisacsh 700 $aRiddell$b Fraser$f1987-$01253025 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910585947903321 996 $aMusic and the queer body in English literature at the fin de sie?cle$92905055 997 $aUNINA