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| Autore: |
Abram Nicola
|
| Titolo: |
Black British Women's Theatre : Intersectionality, Archives, Aesthetics / / by Nicola Abram
|
| Pubblicazione: | Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020 |
| Edizione: | 1st ed. 2020. |
| Descrizione fisica: | 1 online resource (XIII, 264 p. 24 illus.) |
| Disciplina: | 792.082 |
| 301 | |
| Soggetto topico: | Theater - History |
| Actors | |
| Theater | |
| Cultural industries | |
| Theater - Production and direction | |
| Contemporary Theatre and Performance | |
| Performers and Practitioners | |
| National and Regional Theatre and Performance | |
| Theatre History | |
| Theatre Industry | |
| Theatre Direction and Production | |
| Note generali: | Includes index. |
| Nota di contenuto: | 1. Introduction: Intersectionality, Archives, Aesthetics -- 2. Theatre of Black Women -- 3. Munirah Theatre Company -- 4. Black Mime Theatre: The Women's Troop -- 5. Zindika -- 6. SuAndi -- 8. Conclusion: In the spirit of Sankofa -- . |
| Sommario/riassunto: | This book marks a significant methodological shift in studies of black British women's theatre: it looks beyond published plays to the wealth of material held in archives of various kinds, from national repositories and themed collections to individuals' personal papers. It finds there a cache of unpublished manuscripts and production recordings distinctive for their non-naturalistic aesthetics. Close analysis of selected works identifies this as an intersectional feminist creative practice. Chapters focus on five theatre companies and artists, spanning several decades: Theatre of Black Women (1982-1988), co-founded by Booker Prize-winning writer Bernardine Evaristo; Munirah Theatre Company (1983-1991); Black Mime Theatre Women's Troop (1990-1992); Zindika; and SuAndi. The book concludes by reflecting on the politics of representation, with reference to popular postmillennial playwright debbie tucker green. Drawing on new interviews with the playwrights/practitioners andtheir peers, this book assembles a rich, interconnected, and occasionally corrective history of black British women's creativity. By reproducing 22 facsimile images of flyers, production programmes, photographs and other ephemera, Black British Women's Theatre: Intersectionality, Archives, Aesthetics not only articulates a hidden history but allows its readers their own encounter with the fragile record of this vibrant past. |
| Titolo autorizzato: | Black British women's theatre ![]() |
| ISBN: | 9783030514594 |
| 3030514595 | |
| Formato: | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione: | Inglese |
| Record Nr.: | 9910483561703321 |
| Lo trovi qui: | Univ. Federico II |
| Opac: | Controlla la disponibilità qui |