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[null,"1.","Record Nr.",null,"UNINA9910483561703321"]
[null,null,"Autore",null,"Abram Nicola"]
[null,null,"Titolo",null,"Black British Women's Theatre : Intersectionality, Archives, Aesthetics / / by Nicola Abram"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020"]
[null,null,"ISBN",null,"9783030514594"]
[{"$nulls":4},"3030514595"]
[null,null,"Edizione",null,"[1st ed. 2020.]"]
[null,null,"Descrizione fisica",null,"1 online resource (XIII, 264 p. 24 illus.)"]
[null,null,"Disciplina",null,"792.082"]
[{"$nulls":4},"301"]
[null,null,"Soggetti",null,"Theater - History"]
[{"$nulls":4},"Actors"]
[{"$nulls":4},"Theater"]
[{"$nulls":4},"Cultural industries"]
[{"$nulls":4},"Theater - Production and direction"]
[{"$nulls":4},"Contemporary Theatre and Performance"]
[{"$nulls":4},"Performers and Practitioners"]
[{"$nulls":4},"National and Regional Theatre and Performance"]
[{"$nulls":4},"Theatre History"]
[{"$nulls":4},"Theatre Industry"]
[{"$nulls":4},"Theatre Direction and Production"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,"Nota di contenuto",null,"1. Introduction: Intersectionality, Archives, Aesthetics -- 2. Theatre of Black Women -- 3. Munirah Theatre Company -- 4. Black Mime Theatre: The Women's Troop -- 5. Zindika -- 6. SuAndi -- 8. Conclusion: In the spirit of Sankofa -- ."]
[null,null,null,"Sommario/riassunto","This book marks a significant methodological shift in studies of black British women's theatre: it looks beyond published plays to the wealth of material held in archives of various kinds, from national repositories and themed collections to individuals' personal papers. It finds there a cache of unpublished manuscripts and production recordings distinctive for their non-naturalistic aesthetics. Close analysis of selected works identifies this as an intersectional feminist creative practice. Chapters focus on five theatre companies and artists, "]
[{"$nulls":4},"spanning several decades: Theatre of Black Women (1982-1988), co-founded by Booker Prize-winning writer Bernardine Evaristo; Munirah Theatre Company (1983-1991); Black Mime Theatre Women's Troop (1990-1992); Zindika; and SuAndi. The book concludes by reflecting on the politics of representation, with reference to popular postmillennial playwright debbie tucker green. Drawing on new interviews with the playwrights/practitioners andtheir peers, this book assembles a rich, interconnected, and occasionally corrective history of black British women's creativity. By reproducing 22 facsimile images of flyers, production programmes, photographs and other ephemera, Black British Women's Theatre: Intersectionality, Archives, Aesthetics not only articulates a hidden history but allows its readers their own encounter with the fragile record of this vibrant past."]