Dutch post-war fiction film through a lens of psychoanalysis / / Peter Verstraten [[electronic resource]]

• Autore: Verstraten Peter
• Pubblicazione: Amsterdam : , : Amsterdam University Press, , 2021
• Descrizione fisica: 1 online resource (482 pages) : digital, PDF file(s)
• Disciplina: 791.4309492
• Soggetto topico: Motion pictures - Netherlands - History - 20th century; Psychoanalysis and motion pictures - Netherlands; Motion pictures - Psychological aspects
• Soggetto non controllato: Dutch cinema - psychoanalysis (Freud, Lacan, Zizek) - cinephilia
• Note generali: Title from publisher's bibliographic system (viewed on 28 May 2021).
• Nota di bibliografia: Includes bibliographical references and indexes.
• Nota di contenuto: Frontmatter -- TABLE OF CONTENTS -- Preface -- Introduction -- CHAPTER 1. Spitting Images, Blind Spots, and Dark Mirrors -- CHAPTER 2. In the Name of Fathers – Overbearing, Flying, or Otherwise -- CHAPTER 3. That Obscure Object of Desire -- CHAPTER 4. From Ordinary Men and Rabbles to Heroes -- CHAPTER 5. Paranoia, Psychosis, The Horrific-Fantastic -- CHAPTER 6. Passages à l’Acte -- CHAPTER 7. From Historical Discomfort to Historical Trauma -- CHAPTER 8. Aphanisis -- CHAPTER 9. Hysteria, Neurosis, Perversion -- Epilogue -- BIBLIOGRAPHY -- FILMOGRAPHY -- INDEX OF CONCEPTS -- INDEX OF FILMS -- INDEX OF NAMES
• Sommario/riassunto: Dutch Post-war Fiction Film through a Lens of Psychoanalysis is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately. Because of the sheer variety of Fons Rademakers's oeuvre, which spans 'art' cinema and cult, genre film and historical epics, each chapter will start with one of his titles to introduce a key concept from psychoanalysis. It is an oft-voiced claim that Dutch cinema strongly adheres to realism, but psychoanalytic theories on desire and fantasy are employed to put this idea into perspective. In the vein of cinephilia, this study brings together canonical titles (ALS TWEE DRUPPELS WATER; SOLDAAT VAN ORANJE) and little gems (MONSIEUR HAWARDEN; KRACHT). It juxtaposes among others GLUCKAUF and DE VLIEGENDE HOLLANDER (on father figures); FLANAGAN and SPOORLOOS (on rabbles and heroes); DE AANSLAG and LEEDVERMAAK (on historical traumas); ANTONIA and BLUEBIRD (on aphanisis)
• Titolo autorizzato: Dutch post-war fiction film through a lens of psychoanalysis
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Lingua di pubblicazione: Inglese
• Record Nr.: 9910826383503321
• Lo trovi qui: Univ. Federico II
• Serie: Framing film (Amsterdam, Netherlands)