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181   $ctxt$2rdacontent
182   $cc$2rdamedia
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200 10$aDutch post-war fiction film through a lens of psychoanalysis /$fPeter Verstraten$b[electronic resource]
210  1$aAmsterdam :$cAmsterdam University Press,$d2021.
215   $a1 online resource (482 pages) $cdigital, PDF file(s)
225 1 $aFraming film
300   $aTitle from publisher's bibliographic system (viewed on 28 May 2021).
311   $a90-485-5172-2 
320   $aIncludes bibliographical references and indexes.
327   $tFrontmatter -- $tTABLE OF CONTENTS -- $tPreface -- $tIntroduction -- $tCHAPTER 1. Spitting Images, Blind Spots, and Dark Mirrors -- $tCHAPTER 2. In the Name of Fathers ? Overbearing, Flying, or Otherwise -- $tCHAPTER 3. That Obscure Object of Desire -- $tCHAPTER 4. From Ordinary Men and Rabbles to Heroes -- $tCHAPTER 5. Paranoia, Psychosis, The Horrific-Fantastic -- $tCHAPTER 6. Passages à l?Acte -- $tCHAPTER 7. From Historical Discomfort to Historical Trauma -- $tCHAPTER 8. Aphanisis -- $tCHAPTER 9. Hysteria, Neurosis, Perversion -- $tEpilogue -- $tBIBLIOGRAPHY -- $tFILMOGRAPHY -- $tINDEX OF CONCEPTS -- $tINDEX OF FILMS -- $tINDEX OF NAMES
330   $aDutch Post-war Fiction Film through a Lens of Psychoanalysis is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately. Because of the sheer variety of Fons Rademakers's oeuvre, which spans 'art' cinema and cult, genre film and historical epics, each chapter will start with one of his titles to introduce a key concept from psychoanalysis. It is an oft-voiced claim that Dutch cinema strongly adheres to realism, but psychoanalytic theories on desire and fantasy are employed to put this idea into perspective. In the vein of cinephilia, this study brings together canonical titles (ALS TWEE DRUPPELS WATER; SOLDAAT VAN ORANJE) and little gems (MONSIEUR HAWARDEN; KRACHT). It juxtaposes among others GLUCKAUF and DE VLIEGENDE HOLLANDER (on father figures); FLANAGAN and SPOORLOOS (on rabbles and heroes); DE AANSLAG and LEEDVERMAAK (on historical traumas); ANTONIA and BLUEBIRD (on aphanisis)
410  0$aFraming film (Amsterdam, Netherlands)
606   $aMotion pictures$zNetherlands$xHistory$y20th century
606   $aPsychoanalysis and motion pictures$zNetherlands
606   $aMotion pictures$xPsychological aspects
610   $aDutch cinema - psychoanalysis (Freud, Lacan, Zizek) - cinephilia.
615  0$aMotion pictures$xHistory
615  0$aPsychoanalysis and motion pictures
615  0$aMotion pictures$xPsychological aspects.
676   $a791.4309492
700   $aVerstraten$b Peter$0868174
712 02$aEYE (Amsterdam)$4pbl
801  0$bUkCbUP
801  1$bUkCbUP
906   $aBOOK
912   $a9910826383503321
996   $aDutch post-war fiction film through a lens of psychoanalysis$93967739
997   $aUNINA