Vai al contenuto principale della pagina

Gods and groundlings [[electronic resource] ] : historical theatrical audiences



(Visualizza in formato marc)    (Visualizza in BIBFRAME)

Titolo: Gods and groundlings [[electronic resource] ] : historical theatrical audiences Visualizza cluster
Pubblicazione: Tuscaloosa, : University of Alabama Press, c2012
Descrizione fisica: 1 online resource (128 p.)
Disciplina: 792.09
Soggetto topico: Theater audiences
Theater - History
Note generali: Description based upon print version of record.
Nota di bibliografia: Includes bibliographical references.
Nota di contenuto: Contents; Introduction - E. Bert Wallace; Making Up the Audience: Spectatorship in Historical Context - Susan Bennett; The Matinee Audience in Peril: The Syndicate's Mr. Bluebeard and the Iroquois Theatre Fire - Jane Barnette; Prosceniums and Screens: Audience Embodiment into the Digital Age - Becky Becker; Annie Oakley and the Disruption of Victorian Expectations - Lisa Bernd; Thomas King at Sadler's Wells and Drury Lane: How the Audience (Mis)Read Management - Evan Bridenstine; Image - Makers and Their Discontents: Lady Gregory and the Abbey Theatre Audience - Michael Jaros
Anxious Audiences and the Early Modern English Transvestite Theatre - Robert I. LublinNeglected Evidence: Interpreting the Site of an Elizabethan Royal Entertainment - Paulette Marty; Creating Ideal Audiences: Ludwig Tieck and German Access to Shakespeare - Natalie Tenner; Shuffling Roles: Alterations and Audiences in Shuffle Along - David S. Thompson; When Audiences Attack: The Manhandling of Actress and Activist Kitty Marion - Christine Woodworth; Contributors
Sommario/riassunto: The audience is an integral part of performance and is in fact what separates a rehearsal from a performance. The relationship, however, between performers and the audience has evolved over time, which is one of the subjects addressed, along with the changing disposition of the audience itself and a number of other topics, in Gods and Groundlings, volume 20 of the annual journal Theatre Symposium. The essays in this volume discuss spectatorship in historical context, the role of the audience in the digital age, the early modern English transvestite theatre, Annie Oakley
Titolo autorizzato: Gods and groundlings  Visualizza cluster
ISBN: 0-8173-8632-7
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910785967503321
Lo trovi qui: Univ. Federico II
Opac: Controlla la disponibilità qui
Serie: Theatre symposium ; ; v. 20.