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Autore: | Witelson David Mendel |
Titolo: | A Painted Ridge |
Pubblicazione: | Summertown : , : Archaeopress, , 2019 |
©2019 | |
Descrizione fisica: | 1 online resource (164 pages) |
Disciplina: | 709.01130968757 |
Soggetto genere / forma: | Electronic books. |
Nota di contenuto: | Intro -- ABSTRACT -- ACKNOWLEDGEMENTS -- CONTENTS -- LIST OF FIGURES -- PREFACE -- CHAPTER 1: A PAINTED RIDGE -- The problem with 'sites' -- An overview of previous Maclear District rock art research -- Ethnographic analogy and San performance -- Documenting the MR sites -- Recording MR rock art -- Digital enhancements -- Enhancing the MEL ridge -- From observations to theory -- CHAPTER 2: PERFORMANCE THEORY -- Performance Studies and South African rock art research -- Performance Studies -- Performance -- Ritual -- Performativity -- The ethnography of performance -- A Kaluli séance -- San expressive culture and performances -- From theory to ethnography -- CHAPTER 3: DANCING AND PAINTING-A PERFORMATIVE DYAD? -- Trancing with friends, dancing with death -- Interactions during a trance dance -- The dancers and the women who clap and sing -- Dancers, participants, and the dance fire -- N|om seekers and masters -- Masters and other masters -- Dancers and spirits-of-the-dead -- Special curing ceremonies -- From dancing to painting -- CHAPTER 4: BEHIND THE SCENES -- The process behind image-making -- The four stages -- Acquisition of imagery -- Manufacture of paint -- Making rock paintings -- Using rock paintings -- From ritual process to interactive images -- CHAPTER 5: PAINTED AND IMPLIED INTERACTIONS -- Interactions between image-makers and the rock face -- Depressions and containment -- Cracks, steps and edges -- Idiosyncratic uses of the rock face -- From simple interaction to complex interactions -- Interactions between image-makers and images on the rock face -- Interactions between image-makers and animals -- Interactions between image-makers and spirits-of-the-dead -- Interactions between the viewers and the images -- Summary -- CHAPTER 6: SHELTERED PERFORMANCES -- The criteria for image-making performances -- Who actually made the images?. |
The ritual of image-making performances -- Reality, non-reality and the social construction of reality -- Image-makers and failure -- Summary -- CHAPTER 7: COMING TO TERMS WITH DIFFERENCES AND SIMILARITIES -- Limitations -- Insights from performance theory and future directions -- APPENDICES -- APPENDIX A: SITE MEASUREMENTS -- APPENDIX B: SCHEMATIC DIAGRAMS -- APPENDIX C: IMAGE COUNTS -- APPENDIX D: DIGITAL ENHANCEMENT PROCEDURES -- PROCEDURE 1 -- PROCEDURE 2 -- References. | |
Sommario/riassunto: | This book explores a suite of spatially close San (Bushmen) rock painting sites in the Maclear District of South Africa's Eastern Cape Province. As a suite, the sites are remarkable because, despite their proximity to each other, they share patterns of similarity and simultaneous difference. |
Altri titoli varianti: | A Painted Ridge |
Titolo autorizzato: | A Painted Ridge |
ISBN: | 1-78969-245-8 |
Formato: | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione: | Inglese |
Record Nr.: | 9910511761503321 |
Lo trovi qui: | Univ. Federico II |
Opac: | Controlla la disponibilità qui |