LEADER 03780nam 22004213 450 001 9910511761503321 005 20211214151240.0 010 $a1-78969-245-8 035 $a(CKB)4100000012027326 035 $a(MiAaPQ)EBC6728898 035 $a(Au-PeEL)EBL6728898 035 $a(EXLCZ)994100000012027326 100 $a20211214d2019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 12$aA Painted Ridge 210 1$aSummertown :$cArchaeopress,$d2019. 210 4$d©2019. 215 $a1 online resource (164 pages) 225 1 $aCambridge Monographs in African Archaeology Ser. ;$vv.98 327 $aIntro -- ABSTRACT -- ACKNOWLEDGEMENTS -- CONTENTS -- LIST OF FIGURES -- PREFACE -- CHAPTER 1: A PAINTED RIDGE -- The problem with 'sites' -- An overview of previous Maclear District rock art research -- Ethnographic analogy and San performance -- Documenting the MR sites -- Recording MR rock art -- Digital enhancements -- Enhancing the MEL ridge -- From observations to theory -- CHAPTER 2: PERFORMANCE THEORY -- Performance Studies and South African rock art research -- Performance Studies -- Performance -- Ritual -- Performativity -- The ethnography of performance -- A Kaluli séance -- San expressive culture and performances -- From theory to ethnography -- CHAPTER 3: DANCING AND PAINTING-A PERFORMATIVE DYAD? -- Trancing with friends, dancing with death -- Interactions during a trance dance -- The dancers and the women who clap and sing -- Dancers, participants, and the dance fire -- N|om seekers and masters -- Masters and other masters -- Dancers and spirits-of-the-dead -- Special curing ceremonies -- From dancing to painting -- CHAPTER 4: BEHIND THE SCENES -- The process behind image-making -- The four stages -- Acquisition of imagery -- Manufacture of paint -- Making rock paintings -- Using rock paintings -- From ritual process to interactive images -- CHAPTER 5: PAINTED AND IMPLIED INTERACTIONS -- Interactions between image-makers and the rock face -- Depressions and containment -- Cracks, steps and edges -- Idiosyncratic uses of the rock face -- From simple interaction to complex interactions -- Interactions between image-makers and images on the rock face -- Interactions between image-makers and animals -- Interactions between image-makers and spirits-of-the-dead -- Interactions between the viewers and the images -- Summary -- CHAPTER 6: SHELTERED PERFORMANCES -- The criteria for image-making performances -- Who actually made the images?. 327 $aThe ritual of image-making performances -- Reality, non-reality and the social construction of reality -- Image-makers and failure -- Summary -- CHAPTER 7: COMING TO TERMS WITH DIFFERENCES AND SIMILARITIES -- Limitations -- Insights from performance theory and future directions -- APPENDICES -- APPENDIX A: SITE MEASUREMENTS -- APPENDIX B: SCHEMATIC DIAGRAMS -- APPENDIX C: IMAGE COUNTS -- APPENDIX D: DIGITAL ENHANCEMENT PROCEDURES -- PROCEDURE 1 -- PROCEDURE 2 -- References. 330 $aThis book explores a suite of spatially close San (Bushmen) rock painting sites in the Maclear District of South Africa's Eastern Cape Province. As a suite, the sites are remarkable because, despite their proximity to each other, they share patterns of similarity and simultaneous difference. 410 0$aCambridge Monographs in African Archaeology Ser. 517 $aA Painted Ridge 608 $aElectronic books. 676 $a709.01130968757 700 $aWitelson$b David Mendel$01067206 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910511761503321 996 $aA Painted Ridge$92558266 997 $aUNINA LEADER 02848nam 22004931 450 001 9910814801703321 005 20230509170554.0 010 $a93-5479-305-3 010 $a93-5388-752-6 010 $a93-5388-751-8 035 $a(CKB)4100000011789875 035 $a(MiAaPQ)EBC6500044 035 $a(OCoLC)1240585388 035 $a(CaToSAGE)SAGE000014485 035 $a(EXLCZ)994100000011789875 100 $a20220315d2021 fy 0 101 0 $aeng 135 $aurun||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aEmotional intelligence /$fRajagopalan Purushothaman 205 $a1st edition. 210 1$aMathura Road :$cSAGE Publications Pvt. Ltd,$d2021. 215 $a1 online resource (196 pages) $cillustrations 225 1 $aSage essentials. 311 $a93-5388-750-X 320 $aIncludes bibliographical references and index. 327 $aCover -- Contents -- Foreword -- Acknowledgements -- Introduction -- 1. Explaining Emotional Intelligence -- 2. Why EI? -- 3. What Is EI? -- 4. Self-awareness -- 5. Self-regulation -- 6. Self-motivation -- 7. Empathy -- 8. Social Skills -- 9. Building and Driving EI -- EI Strength Finder Tool -- Suggested Readings -- About the Author 330 8 $aIn the digital world, the significance of emotional intelligence (EI) will gain further importance as technologies such as artificial intelligence (AI) and automation partly or fully replace human intervention. Humans will be valued by their unique characteristics and skills in the digital world. There is no doubt that EI is one of the differentiating future competencies in Industry 4.0. The book helps in understanding each component of EI along with its meaning, significance and application in our professional and personal lives. It talks about the five main elements of EI, namely self-awareness, self-regulation, self-motivation, empathy and social skills that allow us to escape from the ordinary. The necessary foundation for building EI is based on the three main components of mindfulness, resilience and compassion, which are also discussed in the book. It further provides steps for driving with EI and is filled with EI self-assessment tools and exercises. Emotional Intelligence shares the recipe for lifelong health, good relationships, professional and personal success, and happiness. 410 0$aSAGE essentials. 606 $aEmotional Intelligence 606 $aArtificial intelligence 615 0$aEmotional Intelligence. 615 0$aArtificial intelligence. 676 $a152.4 700 $aPurushothaman$b Rajagopalan$01721858 801 0$bCaToSAGE 801 1$bCaToSAGE 801 2$bUtOrBLW 906 $aBOOK 912 $a9910814801703321 996 $aEmotional intelligence$94121770 997 $aUNINA