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Autore: | Barton Simon |
Titolo: | Visual Devices in Contemporary Prose Fiction : Gaps, Gestures, Images / / by Simon Barton |
Pubblicazione: | London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2016 |
Edizione: | 1st ed. 2016. |
Descrizione fisica: | 1 online resource (213 p.) |
Disciplina: | 809.04 |
Soggetto topico: | Literature, Modern—20th century |
Literature—Philosophy | |
Literature—History and criticism | |
Twentieth-Century Literature | |
Literary Theory | |
Literary History | |
Note generali: | Description based upon print version of record. |
Nota di bibliografia: | Includes bibliographical references and index. |
Nota di contenuto: | Cover; Contents; List of Figures; Acknowledgements; 1 An Introduction to Visual Devices in Contemporary Prose Fiction; 2 Reading Textual Gaps; 3 Textual Gestures: Iconic Text and Narrative; 4 Graphic Storytelling and Visual Narrative: Images in Prose Fiction; 5 Case Study 1: Raymond Federman's Double or Nothing: A Real Fictitious Discourse (1992); 6 Case Study 2: William H. Gass's Willie Masters' Lonesome Wife (1968); 7 Conclusions; Bibliography; Index |
Sommario/riassunto: | This book acknowledges that the reader of a novel looks at and sees the page before they begin to read any text placed upon it. Thus, any disruptions to how a traditional page 'should look' can have a large impact on the reading process. The book critically engages with the visual appearance of graphically innovative contemporary prose fiction. |
Titolo autorizzato: | Visual Devices in Contemporary Prose Fiction |
ISBN: | 1-137-46736-3 |
Formato: | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione: | Inglese |
Record Nr.: | 9910255239603321 |
Lo trovi qui: | Univ. Federico II |
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