German-Language Children's and Youth Literature in the Media Network 1900-1945

• Autore: Josting Petra
• Pubblicazione: Stuttgart : , : Palgrave Macmillan, , 2023; ©2024
• Edizione: 1st ed.
• Descrizione fisica: 1 online resource (574 pages)
• Disciplina: 830.99282
• Altri autori: IlliesMarlene Antonia PreisMatthias WeberAnnemarie
• Nota di contenuto: Intro -- Preface -- Contents -- Notes on Contributors -- List of Figures -- Introduction: Concepts, Corpus and Strategies of Media Network Research -- Recording Criteria of Children's and Youth Film -- Recording Criteria for Children's and Youth Radio Programmes -- Recording Criteria for Children's and Youth Theatre -- Recording Criteria for Print Media, Vinyl, and Advertising Material -- Media Networks: Theoretical Frameworks -- Media as a Compact Concept According to Siegfried J. Schmidt -- Limits of Schmidt's Media System Model -- Popular Culture Network Models -- The Media Convergence Model by Henry Jenkins -- Jenkins' Critical Reception -- Marc Steinberg's Character-Centred Media Networks -- Seriality Theories -- Network Discussion in Children's and Youth Literature Research -- Storytising as Brand Management -- Marketing Science Models -- Media Networks from 1900 to 1945 -- Definition -- Spectrum of Media Networks -- References -- Project Horizons: Introduction and Overview -- Children's and Youth Radio from 1924 to 1945 -- Current State of Research and Desiderata -- Political and Economic Framework of Early Radio Broadcasting -- Technical Requirements of the Reception -- Programme Press -- Offers for Children and Young People in the Radio of the Weimar Republic -- Funk-Stunde AG -- Nordische Rundfunk AG (Norag) -- Südwestdeutscher Rundfunkdienst AG (SWR) -- Süddeutsche Rundfunk A. G. (Sürag) -- Deutsche Stunde in Bayern GmbH -- Ostmarken-Rundfunk AG (Orag) -- Schlesische Funkstunde AG -- Mitteldeutsche Rundfunk AG (Mirag) -- Westdeutsche Funkstunde AG (Wefag): Westdeutsche Rundfunk AG (Werag) -- Deutsche Welle GmbH -- Children's and Youth Broadcasts from Austria and Switzerland -- Children's and Youth Broadcasts from 1933 and until the End of the War -- Summary -- References -- Primary Literature -- Audiography. ; Secondary Literature Before 1945 -- Secondary Literature After 1945 -- Children's and Youth Films from 1900 to 1945 -- State of Research and Desiderata -- Children's and Youth Film in the Empire -- Children's and Youth Film in the Weimar Republic -- Children's and Youth Film During the National Socialist Era -- Summary and Outlook -- References -- Filmography -- Secondary Literature Before 1945 -- Secondary Literature After 1945 -- Children's and Youth Theatre from 1900 to 1945 -- References -- Digital Explorations of Historical Media Networks -- Introduction -- Goals and Challenges -- From Theory to Metadata Structure -- Conceptual Considerations -- Technical Realisation -- Search Engine Environment and Visualisation -- Conceptual Considerations -- Technical Realisation -- Application Scenarios -- (Un)conventional Search Queries -- Double Perspectives with Timeline and Navigator -- Media Networks in Profile -- Summary -- References -- Primary Literature -- Secondary Literature Before 1945 -- Secondary Literature After 1945 -- Pioneers Take Over the New Types of Media -- From Children's Theatre to Film -- Introduction -- Historical Framework -- Genschow's Productions -- Stage and Film in the 1930s -- With the Children's Theatre Through Germany (1934) -- Genschow's Studio des Jugendfilms -- General Stift und seine Bande (1937) -- Contemporary Reception of Genschow's Work -- Conclusion -- References -- Primary Literature -- Filmography -- Theatrography -- Secondary Literature Before 1945 -- Secondary Literature After 1945 -- Mickey Mouse -- Introduction and Preliminary Considerations -- Mickey Mouse as a Brand in 1930s Germany -- Disney's Animated Films in the German Trade Press: Typically American! -- Mickey Mouse in the Comic Strips of German Daily Newspapers -- The German Counter-Propaganda -- Concluding Remarks -- References -- Primary Literature. ; Filmography -- Secondary Literature Before 1945 -- Secondary Literature After 1945 -- Funkheinzelmann -- Preliminary Remarks -- Funkheinzelmann: A Radio Figure Becomes a Brand -- Event Marketing -- Geographical Expansion and Programme Diversification -- Brand Extensions -- The Record -- The Revue -- The Fairy Tale Storybooks -- Merchandising -- Funkheinzelmann: The Children's Magazine -- The Author as the Motor of Seriality -- References -- Primary Literature -- Audiography -- Discography -- Theatrography -- Secondary Literature Before 1945 -- Secondary Literature After 1945 -- Stage Children Migrate to Radio and/or Film -- To the Moon and Back -- Prehistory: Introduction -- The Nursery: Starting Point -- The Starry Meadow: Author and Text -- The Milky Way: Visual Design -- The Castle of the Night Fairy: Sonority and Music -- The Christmas Meadow: Consumer Orientation and Branding -- The Moon: Time and Space -- Back in the Nursery: Theoretical and Methodological Considerations or the Journey to the Media Network -- References -- Primary Literature -- Filmography -- Audiography -- Theatrography -- Other Media -- Secondary Literature Before 1945 -- Secondary Literature After 1945 -- In Never-Never Land -- Introduction -- A Novel for Adults and a Children's Book Consisting of Some of Its Chapters: The Little White Bird (1902) - Kleiner weißer Vogel (2010) and Peter Pan in Kensington Gardens (1906) - Peter Pan im Waldpark (1911) -- James M. Barrie's Peter Pan: The English and the German Stage Play - Peter Pan, or the Boy Who Would Not Grow Up (1904/1928) - Peter Gerneklein (Der Knabe welcher nicht gross werden wollte) (1904/1910) - Peter Pan, oder Das Märchen vom Jungen, -- James M. Barrie's Peter Pan: Prose Versions or Peter Pan in Germany After 1945 -- The First Film Adaptation of Peter Pan (1924) -- Conclusion -- Literature -- Primary Literature. ; Filmography -- Audiography -- Theatrography -- Secondary Literature Before 1945 -- Secondary Literature After 1945 -- Urian's Travels Around the World -- Away From the 'Miracle': Lisa Tetzner and the Hans Urian Stoff -- The Hans Urian Project -- The Literary Pretexts -- The First Performance -- Reception as a Laienspiel Play -- From the Play to the Children's Novel -- History of Translation and Editing -- Continuations -- The DEFA Hand Puppet Film -- Is the Hans Urian Project a Medienverbund (Media Network)? -- References -- Primary Literature -- Original Versions Incl. Reprints and Translations -- Literary Pretexts -- Continuations -- Filmography -- Theatrography -- Secondary Literature Before 1945 -- Secondary Literature After 1945 -- Fairy Tales in Film and Radio -- "That Was a Wonderful Fairy Tale!" -- Introduction -- The (Original) Fairy Tale Der fliegende Koffer -- The Dissemination and Processing of the Fairy Tale in Books -- Animated Films and Series Appearances: Der fliegende Koffer on Screen -- Lotte Reiniger's Der fliegende Koffer (1921) -- Der fliegende Koffer (1944): Hohnsteiner Puppenspiele -- Recent Cartoons: The Flying Trunk (Story) (2003 and 2018) -- Der fliegende Koffer and Its Television Appearances: Sandmännchen and Siebenstein -- Der fliegende Koffer Audio Book/Play: From the Radio of the Weimar Republic to MP3 Files -- Suitcase, Art, and Consumption: The Colourful Palette of Merchandising Products -- Conclusion on the Media Network -- References -- Primary Literature -- Audiography -- Filmography -- Other Media/Products -- Secondary Literature Before 1945 -- Secondary Literature After 1945 -- Mutabor! -- Retrospect -- Hauff's Fairy Tales -- Early Films of Hauff's Fairy Tales -- Der kleine Muck -- Kalif Storch -- Das kalte Herz -- Final Thoughts -- References -- Primary Literature -- Filmography -- Other Media. ; Secondary Literature Before 1945 -- Secondary Literature After 1945 -- Classics in All Types of Media -- Max und Moritz Across Media -- Wilhelm Busch and the Genesis of the Bubenstreich-Erzählung -- Max und Moritz as a Media Phenomenon (1865-1930) -- The "Buschiade" as a Follow-Up: Imitation - Adaptation - Parody -- Max und Moritz on Stage … -- … and on the Screen -- Max und Moritz as the Initial Spark of the Comic Strip -- The Beginnings of the "Katzenjammer Kids" by Rudolph Dirks -- Transdiegetic Narrative and Characteristic Figure Speech -- The Establishment of the "Kid Strip" and Its Transformations -- Max und Moritz: A Media Network? -- References -- Primary Literature -- Filmography -- Audiography -- Theatrography -- Secondary Literature Before 1945 -- Secondary Literature After 1945 -- Robinsonades between 1900 and 1945 -- Theoretical Framework: On the Significance of Children's and Youth Media -- On the Systematics of Robinson Adaptations and Robinsonades for Children and Adolescents -- Historical Contextualisation I: On the Impact History of the Successful Model of the Robinsonades -- Historical Contextualisation II: On the History of Reception between 1900 and 1945 -- Robinsonades in the Media Network -- Film, Radio, Book: Robinson and Robinsonades in Individual Specific Types of Media -- Movie Versions -- "Robinson" on the Radio -- Tendencies of Modernisation in the Book Reception of the Robinsonades -- Conclusion: Reflections and Theses on the Media Network Discussion -- Literature -- Primary Literature -- Filmography -- Audiography -- Theatrography -- Secondary Literature Before 1945 -- Secondary Literature After 1945 -- School Stories in the Theatre, Book and on the Screen -- Beyond Romy and Lilli -- Preliminary Considerations -- History and Genre Traditions -- Christa Winsloe's Boarding School Story in the Media Network (1930-1936). ; Transmedial Narrative Worlds Since the 1950s.
• Titolo autorizzato: German-Language Children's and Youth Literature in the Media Network 1900-1945
• ISBN: 3-476-05892-1
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Lingua di pubblicazione: Inglese
• Record Nr.: 9910768444203321
• Lo trovi qui: Univ. Federico II