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The cultural practice of immigrant filmmaking : minor immigrant cinemas in Sweden 1950-1990 / / Lars Gustaf Andersson and John Sundholm



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Autore: Andersson Lars Gustaf Visualizza persona
Titolo: The cultural practice of immigrant filmmaking : minor immigrant cinemas in Sweden 1950-1990 / / Lars Gustaf Andersson and John Sundholm Visualizza cluster
Pubblicazione: Bristol, Engalnd : , : Intellect, , [2019]
©2019
Edizione: 1st ed.
Descrizione fisica: 1 online resource (x, 159 pages)
Disciplina: 791.436552
Soggetto topico: Emigration and immigration in motion pictures
Motion pictures - Sweden
Persona (resp. second.): SundholmJohn
Nota di bibliografia: Includes bibliographical references, filmography and index.
Nota di contenuto: Intro -- Half Title -- Title -- Copyright -- Contents -- Foreword -- Acknowledgements -- Introduction: The Cultural Practice of Immigrant Filmmaking -- Film and theory -- Minor cinemas, the public sphere and the production of locality -- Migration and diaspora: Notes on recent research -- Outline of the book -- Chapter 1: Migrants' Minor Cinemas: Beyond Accented and Exilic Cinema -- Accented cinema -- Minor cinema -- Beyond textual models of the accented and exilic -- Chapter 2: Conditions of Production: Immigrant's Associations and Workshops in Sweden -- Immigration and culture in post-war Sweden -- Establishing experimental film culture: The Independent Film Group -- Immigrant film as cultural policy: The Stockholm Film Workshop -- The momentary agency: Cineco (Cinecooperativo) -- To be or not to be a filmmaker: Kaleidoscope -- Do it yourself: The Tensta Film Association -- The production of film, the production of experience and the public -- Chapter 3: From Avant-Garde to Communion: Ten Films by Immigrant Filmmakers in Sweden -- Fabulations in the minor key -- Studie 1 (Uppvaknandet) by Peter Weiss (1952) -- Monos by the Tensta Film Association (1974) -- Vill du följa med mig Martha? by the Tensta Film Association (1980) -- Interference by Maureen Paley (1977) -- Jordmannen by Muammer Özer (1980) -- Hägringen by Guillermo Álvarez (1981) -- Havet är långt borta by Reza Bagher (1983) -- Löftet by Menelaos Carayannis (1984) -- La espera by Myriam Braniff (1989) -- Fem minuter för Amerikas döda/Pichqa minutukuna ilaqtanchispi wanuqkunamanta by César Galindo (1992) -- Projecting a public, creating a context -- Chapter 4: The Cultural Practice of Minor Immigrant Cinema Archiving -- The archival life of cinema -- The archival trajectories of the immigrant films -- The Stockholm Film Workshop and immigrant filmmaking -- Performing accidental archives.
Dispositif in the making, palimpsests of minor histories and the politics of recognition -- Conclusion: Immigrant Filmmaking as Minor Cinema Practice -- Bibliography -- Filmography -- Names Index -- Film Index -- Subject Index.
Sommario/riassunto: Based on a research project funded by the Swedish Research Council, this book analyses 40 years of post-war independent immigrant filmmaking in Sweden. John Sundholm and Lars Gustaf Andersson consider the creativity that lies in the state of exile, offering analyses of over 50 rarely seen immigrant films that would otherwise remain invisible and unarchived. They shed light on the complex web of personal, economic and cultural circumstances around migrant filmmaking, and discuss associations that became important sites of self-organization for exiled filmmakers: The Independent Film Group, The Stockholm Film Workshop, Cineco, Kaleidoscope and Tensta Film Association.
Titolo autorizzato: The cultural practice of immigrant filmmaking  Visualizza cluster
ISBN: 1-78938-053-7
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910324949803321
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