LEADER 04512nam 2200541 450 001 9910324949803321 005 20230630103303.0 010 $a1-78938-053-7 024 7 $a10.1386/9781783209866 035 $a(CKB)4100000008351248 035 $a(OAPEN)1005017 035 $a(WaSeSS)IndRDA00120770 035 $a(ScCtBLL)743a14bb-59b2-4a34-921b-bb9c65315c54 035 $a(MiAaPQ)EBC6743566 035 $a(Au-PeEL)EBL6743566 035 $a(OCoLC)1104538913 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/33773 035 $a(EXLCZ)994100000008351248 100 $a20230630d2019 uy 0 101 0 $aeng 135 $auuuuu---auuuu 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe cultural practice of immigrant filmmaking $eminor immigrant cinemas in Sweden 1950-1990 /$fLars Gustaf Andersson and John Sundholm 205 $a1st ed. 210 1$aBristol, Engalnd :$cIntellect,$d[2019] 210 4$d©2019 215 $a1 online resource (x, 159 pages) 311 $a1-78320-986-0 320 $aIncludes bibliographical references, filmography and index. 327 $aIntro -- Half Title -- Title -- Copyright -- Contents -- Foreword -- Acknowledgements -- Introduction: The Cultural Practice of Immigrant Filmmaking -- Film and theory -- Minor cinemas, the public sphere and the production of locality -- Migration and diaspora: Notes on recent research -- Outline of the book -- Chapter 1: Migrants' Minor Cinemas: Beyond Accented and Exilic Cinema -- Accented cinema -- Minor cinema -- Beyond textual models of the accented and exilic -- Chapter 2: Conditions of Production: Immigrant's Associations and Workshops in Sweden -- Immigration and culture in post-war Sweden -- Establishing experimental film culture: The Independent Film Group -- Immigrant film as cultural policy: The Stockholm Film Workshop -- The momentary agency: Cineco (Cinecooperativo) -- To be or not to be a filmmaker: Kaleidoscope -- Do it yourself: The Tensta Film Association -- The production of film, the production of experience and the public -- Chapter 3: From Avant-Garde to Communion: Ten Films by Immigrant Filmmakers in Sweden -- Fabulations in the minor key -- Studie 1 (Uppvaknandet) by Peter Weiss (1952) -- Monos by the Tensta Film Association (1974) -- Vill du följa med mig Martha? by the Tensta Film Association (1980) -- Interference by Maureen Paley (1977) -- Jordmannen by Muammer Özer (1980) -- Hägringen by Guillermo Álvarez (1981) -- Havet är långt borta by Reza Bagher (1983) -- Löftet by Menelaos Carayannis (1984) -- La espera by Myriam Braniff (1989) -- Fem minuter för Amerikas döda/Pichqa minutukuna ilaqtanchispi wanuqkunamanta by César Galindo (1992) -- Projecting a public, creating a context -- Chapter 4: The Cultural Practice of Minor Immigrant Cinema Archiving -- The archival life of cinema -- The archival trajectories of the immigrant films -- The Stockholm Film Workshop and immigrant filmmaking -- Performing accidental archives. 327 $aDispositif in the making, palimpsests of minor histories and the politics of recognition -- Conclusion: Immigrant Filmmaking as Minor Cinema Practice -- Bibliography -- Filmography -- Names Index -- Film Index -- Subject Index. 330 $aBased on a research project funded by the Swedish Research Council, this book analyses 40 years of post-war independent immigrant filmmaking in Sweden. John Sundholm and Lars Gustaf Andersson consider the creativity that lies in the state of exile, offering analyses of over 50 rarely seen immigrant films that would otherwise remain invisible and unarchived. They shed light on the complex web of personal, economic and cultural circumstances around migrant filmmaking, and discuss associations that became important sites of self-organization for exiled filmmakers: The Independent Film Group, The Stockholm Film Workshop, Cineco, Kaleidoscope and Tensta Film Association. 606 $aEmigration and immigration in motion pictures 606 $aMotion pictures$zSweden 615 0$aEmigration and immigration in motion pictures. 615 0$aMotion pictures 676 $a791.436552 700 $aAndersson$b Lars Gustaf$0700707 702 $aSundholm$b John 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910324949803321 996 $aThe cultural practice of immigrant filmmaking$92010525 997 $aUNINA