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Titolo: | Western music and its others : difference, representation, and appropriation in music / / edited by Georgina Born and David Hesmondhalgh |
Pubblicazione: | Berkeley, : University of California Press, c2000 |
Edizione: | 1st ed. |
Descrizione fisica: | 1 online resource (373 p.) |
Disciplina: | 781.6 |
Soggetto topico: | Music - 20th century - Social aspects |
Altri autori: | BornGeorgina HesmondhalghDavid <1963-> |
Note generali: | Description based upon print version of record. |
Nota di bibliografia: | Includes bibliographical references and index. |
Nota di contenuto: | Preliminaries; CONTENTS; Introduction; 1. Musical Belongings: Western Music and Its Low-Other; 2. Race, Orientalism, and Distinction in the Wake of the "Yellow Peril"; 3. Bartók, the Gypsies, and Hybridity in Music; 4. Modernism, Deception, and Musical Others: Los Angeles circa 1940; 5. Experimental Oriental: New Music and Other Others; 6. Composing the Cantorate: Westernizing Europe's Other Within; 7. East, West, and Arabesk; 8. Scoring the Indian: Music in the Liberal Western; 9. The Poetics and Politics of Pygmy Pop; 10. International Times: Fusions, Exoticism |
11. The Discourse of World Musiccontributors; index | |
Sommario/riassunto: | This innovative collection of articles offers a major comprehensive overview of new developments in cultural theory as applied to Western music. Addressing a broad range of primarily twentieth-century music, the authors examine two related phenomena: musical borrowings or appropriations, and how music has been used to construct, evoke, or represent difference of a musical or a sociocultural kind. |
Titolo autorizzato: | Western music and its others |
ISBN: | 0-520-92379-0 |
1-59734-993-3 | |
Formato: | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione: | Inglese |
Record Nr.: | 9910828954603321 |
Lo trovi qui: | Univ. Federico II |
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