02585nam 22005294a 450 991082895460332120200520144314.00-520-92379-01-59734-993-3(CKB)111056485639876(EBL)223029(OCoLC)475926985(SSID)ssj0000270388(PQKBManifestationID)11194133(PQKBTitleCode)TC0000270388(PQKBWorkID)10261414(PQKB)10453059(MiAaPQ)EBC223029(EXLCZ)9911105648563987620000309d2000 ub 0engur|n|---|||||txtccrWestern music and its others difference, representation, and appropriation in music /edited by Georgina Born and David Hesmondhalgh1st ed.Berkeley University of California Pressc20001 online resource (373 p.)Description based upon print version of record.0-520-22083-8 Includes bibliographical references and index.Preliminaries; CONTENTS; Introduction; 1. Musical Belongings: Western Music and Its Low-Other; 2. Race, Orientalism, and Distinction in the Wake of the "Yellow Peril"; 3. Bartók, the Gypsies, and Hybridity in Music; 4. Modernism, Deception, and Musical Others: Los Angeles circa 1940; 5. Experimental Oriental: New Music and Other Others; 6. Composing the Cantorate: Westernizing Europe's Other Within; 7. East, West, and Arabesk; 8. Scoring the Indian: Music in the Liberal Western; 9. The Poetics and Politics of Pygmy Pop; 10. International Times: Fusions, Exoticism11. The Discourse of World Musiccontributors; indexThis innovative collection of articles offers a major comprehensive overview of new developments in cultural theory as applied to Western music. Addressing a broad range of primarily twentieth-century music, the authors examine two related phenomena: musical borrowings or appropriations, and how music has been used to construct, evoke, or represent difference of a musical or a sociocultural kind.Music20th centurySocial aspectsMusicSocial aspects.781.6Born Georgina1139624Hesmondhalgh David1963-472559MiAaPQMiAaPQMiAaPQBOOK9910828954603321Western music and its others4057100UNINA