Writing Beat and other occasions of literary mayhem
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| Autore: |
Tytell John
|
| Titolo: |
Writing Beat and other occasions of literary mayhem
|
| Pubblicazione: | [Place of publication not identified], : Vanderbilt University Press, 2014 |
| Edizione: | 1st ed. |
| Descrizione fisica: | 1 online resource (249 pages) |
| Disciplina: | 810.9/0054 |
| 810.90054 | |
| Soggetto topico: | Beat literature - History and criticism |
| Authors, American - 20th century | |
| Beats (Persons) | |
| Authorship | |
| Biography as a literary form | |
| English | |
| Languages & Literatures | |
| American Literature | |
| Note generali: | Bibliographic Level Mode of Issuance: Monograph |
| Nota di contenuto: | Cover -- Title Page -- Contents -- Acknowledgments -- A Prefatory Note -- Part I: Engagement -- 1. How to Write an Essay -- 2. The Writer as Peeping John: On the Nature of Biographical Inquiry -- 3. Hemlock or Ambrosia: Writing and Editorial Process -- 4. Notes of a Peripatetic Lecturer -- 5. Senator Tripletalk and the American Dream -- 6. Passing Through: Fifty Years @ the Mind Factory -- Part II: Reconsidering the Beats -- 7. Two Notes on Beat Origins -- 8. The Traveling Writer: Beat Mexico -- 9. Kerouac's Music -- 10. Ginsberg Today -- 11. The Oppositional Writer -- 12. The Editor as Midwife: Writers and Little Magazines -- Part III: The Metaphysics of Writing -- 13. Bombing with Words -- 14. A Writer's Retreat -- 15. Poetic Faith: Religion and the Writer -- 16. A Writer's Passage -- 17. The Donkey and the Written Word. |
| Sommario/riassunto: | Lessons learned from the Beat Generation, and becoming a writer one interview, road trip, and page (and occasional drink) at a time. |
| Titolo autorizzato: | Writing Beat and other occasions of literary mayhem |
| ISBN: | 0-8265-0297-0 |
| 0-8265-2016-2 | |
| Formato: | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione: | Inglese |
| Record Nr.: | 9910817412703321 |
| Lo trovi qui: | Univ. Federico II |
| Opac: | Controlla la disponibilità qui |