Deleuze and film music [[electronic resource] ] : building a methodological bridge between film theory and music / / by Gregg Redner

• Autore: Redner Gregg
• Pubblicazione: Bristol [U.K.], : Intellect, 2011
• Descrizione fisica: 1 online resource (204 p.)
• Disciplina: 781.5
• Soggetto topico: Motion picture music; Music - Philosophy and aesthetics
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references (p. 177-186).
• Nota di contenuto: Front Cover; Preliminary Pages; Contents; Foreword; Chapter One: Introduction; Chapter Two: Methodology; Chapter Three: Deleuzian Sensation and Maurice Jaubert's Score for L'Atalante; Chapter Four: The Division of the One: Leonard Rosenman and the Score for East of Eden; Chapter Five: Dmitri Shostakovich's Score for Kozintsev's Hamlet; Chapter Six: Fragments of a Life: Becoming-Music/Woman In Kryzysztof Kieslowski's Blue; Chapter Seven: The Changing Conception of Space As a Delineator In Film Score Style: A Comparative Analysis of the Scores For T; Chapter Eight: Conclusion; References ; Corpus of FilmsFilms Cited In Text
• Sommario/riassunto: The analysis of film music is emerging as one of the fastest-growing areas of interest in film studies. Yet scholarship in this up-and-coming field has been beset by the lack of a common language and methodology between film and music theory. Drawing on the philosophy of Gilles Deleuze, film studies scholar Gregg Redner provides a much-needed analysis of the problem which then forms the basis of his exploration of the function of the film score and its relation to film's other elements. Not just a groundbreaking examination of persistent difficulties in this new area of study, Deleuze and Film
• Titolo autorizzato: Deleuze and film music
• ISBN: 1-282-89609-1; 9786612896095; 1-84150-437-8
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Lingua di pubblicazione: Inglese
• Record Nr.: 9910785248103321
• Lo trovi qui: Univ. Federico II