LEADER 01114nam0-22004091i-450- 001 990007865370403321 005 20050907112330.0 010 $a88-14-10646-0 035 $a000786537 035 $aFED01000786537 035 $a(Aleph)000786537FED01 035 $a000786537 100 $a20040405d2004----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay---n---001yy 200 1 $a<>nuovo ordinamento delle comunicazioni elettroniche$fa cura di Rita Perez 210 $aMilano$cGiuffrè$dc2004 215 $aV,161 p.$d24 cm 225 1 $aContratti & commercio internazionale 676 $a004.6$v21$zita 702 1$aPerez,$bRita 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990007865370403321 952 $aDPR21B/334$b21322$fDEC 952 $aIX B 163$b5852$fDDCIC 952 $aR 130$bs.i.$fDSS 952 $aN2 147$b3327$fDSI 952 $aVI B 917$b6220$fDDA 959 $aDEC 959 $aDDCIC 959 $aDSS 959 $aDSI 959 $aDDA 996 $aNuovo ordinamento delle comunicazioni elettroniche$9673369 997 $aUNINA LEADER 02914nam 2200577 a 450 001 9910785248103321 005 20230725025100.0 010 $a1-282-89609-1 010 $a9786612896095 010 $a1-84150-437-8 035 $a(CKB)2670000000047651 035 $a(EBL)605771 035 $a(OCoLC)680775522 035 $a(SSID)ssj0000415591 035 $a(PQKBManifestationID)12111780 035 $a(PQKBTitleCode)TC0000415591 035 $a(PQKBWorkID)10416539 035 $a(PQKB)10998823 035 $a(MiAaPQ)EBC605771 035 $a(Au-PeEL)EBL605771 035 $a(CaPaEBR)ebr10425245 035 $a(CaONFJC)MIL289609 035 $a(EXLCZ)992670000000047651 100 $a20101202d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDeleuze and film music$b[electronic resource] $ebuilding a methodological bridge between film theory and music /$fby Gregg Redner 210 $aBristol [U.K.] $cIntellect$d2011 215 $a1 online resource (204 p.) 300 $aDescription based upon print version of record. 311 $a1-84150-370-3 320 $aIncludes bibliographical references (p. 177-186). 327 $aFront Cover; Preliminary Pages; Contents; Foreword; Chapter One: Introduction; Chapter Two: Methodology; Chapter Three: Deleuzian Sensation and Maurice Jaubert's Score for L'Atalante; Chapter Four: The Division of the One: Leonard Rosenman and the Score for East of Eden; Chapter Five: Dmitri Shostakovich's Score for Kozintsev's Hamlet; Chapter Six: Fragments of a Life: Becoming-Music/Woman In Kryzysztof Kieslowski's Blue; Chapter Seven: The Changing Conception of Space As a Delineator In Film Score Style: A Comparative Analysis of the Scores For T; Chapter Eight: Conclusion; References 327 $aCorpus of FilmsFilms Cited In Text 330 $aThe analysis of film music is emerging as one of the fastest-growing areas of interest in film studies. Yet scholarship in this up-and-coming field has been beset by the lack of a common language and methodology between film and music theory. Drawing on the philosophy of Gilles Deleuze, film studies scholar Gregg Redner provides a much-needed analysis of the problem which then forms the basis of his exploration of the function of the film score and its relation to film's other elements. Not just a groundbreaking examination of persistent difficulties in this new area of study, Deleuze and Film 606 $aMotion picture music 606 $aMusic$xPhilosophy and aesthetics 615 0$aMotion picture music. 615 0$aMusic$xPhilosophy and aesthetics. 676 $a781.5 700 $aRedner$b Gregg$01550672 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910785248103321 996 $aDeleuze and film music$93809644 997 $aUNINA