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Religion and Folk Belief in Chinese Literature and Theatre



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Autore: Zhao Xiaohuan Visualizza persona
Titolo: Religion and Folk Belief in Chinese Literature and Theatre Visualizza cluster
Pubblicazione: Basel, : MDPI - Multidisciplinary Digital Publishing Institute, 2022
Descrizione fisica: 1 electronic resource (270 p.)
Soggetto topico: Religion & beliefs
Soggetto non controllato: Cheng 誠
cheng 成
sincerity
completion
religion
ritual
Classical Confucianism
literature
baojuan (precious scrolls)
telling scriptures
scroll recitation
chinese folklore
popular religion
buddhist narrative
China
Xiud Yax Lus Qim (Yalu wang)
Miao (Hmong) ethnic group
oral performance
ritual practice
sorcery and witchcraft
collective memory
cultural heritage
state presence
temple festival
temple theatre
Jiacun Double-Fourth Temple Festival
the Primordial Sovereign of the Morning Clouds (Bixia yuanjun)
Shangdang
Liaozhai zhiyi
Daoism
dramas
Sichuan
willow
Yuan zaju
shamanism
legend
metaphor
Chinese religions
Chinese literature
Ming
Deng Zhimo
hagiography
Lü Dongbin
Xu Xun
Sa Shoujian
print culture
Pei Yue
poems
Buddhism
monks
social association
Miao culture
performance studies
performance ethnography
indigenous studies
folk traditions
mythology
the Queen Mother of the West (Xiwangmu)
Han rhapsody (fu)
Han paintings
Hantomb stone reliefs
the Wuliang Shrine
Persona (resp. second.): ZhaoXiaohuan
Sommario/riassunto: This edited volume offers a historical, textual and ethnoanthropological exploration of the meaning and value of religion and ritual and their form and function in relation to Chinese literature and theatre. The term ‘theatre’ is used here to refer broadly to various types of live performances—theatrical and non-theatrical; sacred and profane— presented in a religious setting, thus including ritual performance and oral performance. Likewise, literature in this volume broadly encompasses both written and oral literatures, including drama, poetry, hagiography, legend, mythology and prosimetric narrative or chantefable for telling and singing. The contributors to the issue draw on a wide range of materials from historical, philosophical and literary texts to field reports and archaeological finds to archived documents and local gazetteers to personal interviews and participant observations. While all the essays are collected under the theme of ‘Religion and Folk Belief in Chinese Literature and Theatre’, they differ from each other in subject matter, source material and research approach. Rich and varied as they are, these essays fall into two main categories, namely, a historical approach to religion and ritual recorded in (written and visual) texts and an integrated approach that combines historical inquiries into written and visual texts with ethnoanthropological fieldwork on religious rituals and associated performances.
Titolo autorizzato: Religion and Folk Belief in Chinese Literature and Theatre  Visualizza cluster
ISBN: 3-0365-5410-6
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910637780203321
Lo trovi qui: Univ. Federico II
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