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Architectural graphics . Volume 2 : graphics for knowledge and production / / Manuel A. Ródenas-López, José Calvo-López, and Macarena Salcedo-Galera, editors



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Titolo: Architectural graphics . Volume 2 : graphics for knowledge and production / / Manuel A. Ródenas-López, José Calvo-López, and Macarena Salcedo-Galera, editors Visualizza cluster
Pubblicazione: Cham, Switzerland : , : Springer International Publishing, , [2022]
©2022
Descrizione fisica: 1 online resource (437 pages)
Disciplina: 720.284
Soggetto topico: Architectural drawing
Architectural drawing - Data processing
Persona (resp. second.): Ródenas-LópezManuel A.
Calvo-LópezJosé
Salcedo-GaleraMacarena
Nota di contenuto: Intro -- Preface -- Contents -- Knowledge -- A War Drawing for Visualizing Madrid's Counter-Façade -- 1 Looking at the Opposite Side -- 2 Objectives and Method -- 3 Visualizing the Counter-Façade -- 3.1 The Drawing: Who, When and from Where? -- 3.2 Parallel References -- 3.3 A Snapshot of the City Outskirts Area and Its Architecture -- 4 Conclusions: A Graphic Testimony of a City in Transition -- References -- Convey a Graphical Message. The Political Vision of Architectural Drawing -- 1 Introduction -- 2 The Overlapping Cities. Drawing a Nomadic Urbanism -- 3 Urban Boundaries and Barriers -- 4 Graphic Actions for Sustainable Urbanism -- 5 Conclusions -- References -- Digital Models for Historical Architecture. Cestus Bridge and Fabrician Bridge at Tiber's Island -- 1 Introduction and Background -- 2 Methodology -- 3 Graphic Analysis Through Diachronic Models -- 4 The Cestus Bridge -- 5 The Tiber's Island Area -- 6 Conclusion -- References -- Digital Tools as a Means of Architectural Dissemination. Reconstructing the Architectural History of Colegio San José of Valencia -- 1 Introduction -- 2 Method -- 2.1 Information Gathering -- 2.2 Interpretation of the Historical Phases -- 2.3 Delineation of Historical Plans -- 2.4 Perspective Restitution of Historical Photographs -- 2.5 3D Modeling of Every Historical Phase -- 3 Dissemination Strategies -- 4 Conclusions -- References -- Dreams of Ruins: Drawing as a Speculative Resource During the Renaissance for Understanding the Architectural Remains of Antiquity -- 1 Introduction: Background and Development of Representations of Ruins -- 2 The Renaissance and Early Approaches to the Past Remains -- 3 Raphael and the Capacity of Ruins for Analogy -- 4 The Interpretative Current in Renaissance Architectural Drawing -- 5 Conclusions -- References.
Expression, Exploration, and Intuition in Nadir Afonso's Cities -- 1 Introduction -- 2 Discussion -- 2.1 Expression -- 2.2 Exploration -- 2.3 Intuition -- 3 Conclusions -- References -- Framing, Filling, Linking. The Drawing of Elements for City Description -- 1 FramingFigurative Content and Images of Cities -- 2 FillingMap Construction for Elements and Shapes -- 3 LinkingNo-Stop-Elements. Dynamics of Representation of the City -- References -- From Historical and Theoretical Analysis of Representation and Geometry to Topology for Structural Optimization -- 1 Introduction -- 2 Historical/Theoretical Investigation of Geometry to "Scientificize" the Representation Systems -- 3 Topology: Properties of Shapes/Relations of Things -- 4 Searching for Optimum Design -- References -- From Image to Investigation 3D Reconstruction with Perspective Restitution -- 1 Introduction -- 1.1 3D Reconstruction from Photos -- 1.2 Related Papers -- 2 The Case Study -- 3 Proposed Methodology -- 3.1 Survey -- 3.2 Perspective Restitution -- 4 Conclusion -- References -- From the "Sacred Theatres" of Andrea Pozzo to the International Truncated Calotte: History and Representation of the Immacolatella Church's Tribune in Trapani (1732) -- 1 Introduction -- 2 The Project: Combinations of Experiences, Sources, and Research -- 3 Survey and Analysis -- References -- Geometric and Formal Characterization of the Church of Santa María de Tobed -- 1 Introduction -- 2 Methodology and Results -- 3 Conclusions -- References -- Geometry and Rectangular Ratios: Serlio'sVillas in the Vienna Manuscript and Book VII -- 1 Introduction -- 2 Book VII in the Treatise Plan and the Vienna Manuscript -- 3 Drawing's Techniques and Graphic Standards in the Vienna Manuscript and Book VII -- 4 Analysis of Villa Plans in the Vienna Manuscript and Book VII: Methodological Framework.
5 Case Studies: Comparative Interpretation -- 6 Conclusion -- References -- Girard Desargues and Geometry Applied to the Arts -- 1 Introduction -- 2 Applied Arts in Desagues' Work -- 3 About Perspective -- 4 About Stereotomy -- 5 About Gnomonics -- 6 Conclusions -- References -- Gregorian Echoes: Neumatic Notation as a Possible Graphic Inspiration for the Architecture of Xenakis -- 1 Introduction -- 2 State of the Art -- 3 Deciphering the Principles of Neumatic Notation to Decode a Graphic Transfer -- 4 Graphic Documents for a Conceptual Transfer -- 5 An Elevation as a Trace of Habits -- 6 Conclusions -- References -- History, Iconography and Digital Drawing for Architectural Heritage: The Case Study of the Church of S. Nicolò Alla Kalsa in Palermo (Sicily) -- 1 Reconstructing the History of a Disappeared Monument, Between Clues and Riddles -- 1.1 Introduction -- 1.2 Notes on the History of the Church of S. Nicolò Alla Kalsa and Its Configuration -- 2 The Iconographic Sources Analysis -- 3 The 3D Model: A Tool for Verification and Graphic Restitution -- 4 Conclusions -- References -- Immersion in Virtual Reality for Studying Architectural Perspectives -- 1 Introduction -- 2 The Architectural Perspective-Viewer Relationship -- 3 Architectural and Geometric Interpretations of a Quadratura -- 4 Virtual Reality Experimentation with Restricted Points of View -- 5 Conclusion -- References -- "Veue de la ville de Boze". A Seventeenth-Century View to Analyse the Transformations of the Landscape of the City of Bosa (Sardinia, Italy) -- 1 Reading and Representing the Transformations of the Landscape of Sardinia -- 2 The "Veue de la ville de Boze" -- 3 Analysis of the Map -- 4 Conclusions -- References -- Light and Architecture: Mannerist Devices in the Monastery of San Lorenzo de El Escorial -- 1 Introduction -- 1.1 State of the Art.
2 Hypotheses and Objectives -- 3 Methodology -- 4 Main Findings -- 5 Conclusions -- References -- Line Atop Line. Images of Architecture in Illustrated Periodicals from the Early 1800s in Italy -- 1 Introduction -- 2 The Magazzino Pittorico Universale -- 3 Architecture in the Second Italian Periodical -- 4 Other New Illustrations -- 5 Conclusions -- References -- Madrid and the Board of Houses of the Navy. Four Projects for Spain in the 1940s -- 1 Introduction and Methodology Applied to the Research -- 2 The Architects. José Fonseca y Llanedo, Manuel Ruiz de la Prada, José Gómez Mesa and José María Rodríguez Cano -- 3 The Board of Houses of the Navy -- 4 The Promotions of the Board in the Salamanca District -- 4.1 Don Ramón De La CruzStreet -- 4.2 Eduardo AunósStreet -- 4.3 Marqués de MondéjarStreet -- 4.4 Cartagena, Francisco SilvelaStreets and Los TorerosAvenue -- 5 Conclusions -- References -- Military Engineers and the Use of Cartography in the Urban Representation of the Spanish Florida. The City of Saint Augustine (1565-1788) -- 1 Summary -- 2 The Cartographies of the First Spanish Colonial Period (1565-1763): The Early Cartographies -- 3 The Spanish Cartographies that Outlined the Transfer Process to Sovereignty 1763 -- 4 The Cartography of the Period of British Sovereignty 1763-1783 -- 5 Cartographies of the Second Spanish Colonial Period 1783-1821 -- 6 Conclusions -- References -- Musing on the Restoration of the Arch of Titus, Given Its 200thAnniversary: Comments on Some Outstanding Drawings -- 1 Background and Method -- 2 The Ruin, Between Vedutism and Formal Survey -- 3 Isolation and Reconstruction -- 4 A Critical-and "didactic"-Graphic Experiment -- 5 Conclusions -- References -- On the Drawings and Travel Notebooks of Guillermo Vázquez Consuegra -- 1 Introduction and Context.
2 Theoretical Framework of the Research and Justification of the Scientific Contribution -- 3 Travel Drawings as a Record of Learned Complexity and Diversity -- 4 Drawing, Project, Idea, and Reality in Vázquez Consuegra's Production -- 5 Conclusions -- References -- Recovery of Modern Colombian Architecture by Means of Architectural Archive Discovery: The Case of Architect Miguel Farah Zakzuk -- 1 Introduction -- 2 Discussion -- 2.1 Architecture Archives -- 2.2 Modernism in Latin America and Colombia -- 2.3 Modern Architecture in the Colombian Caribbean Region -- 2.4 Architect Miguel Farah Zakzuk -- 3 Material and Methods -- 4 Conclusion -- References -- Recycling Models and Drawings: Two Projects by Frank Lloyd Wright, 1944 -- 1 The Pergola House -- 2 The Glass House -- 3 Conclusions -- References -- Speer: Drawing the Future of the Past -- 1 Introduction -- 2 A Fascination with Ruins -- 3 The Graphical Representation of Ruins -- 4 The Real Ruins of Horror -- 5 Speer and the Modern Movement -- 6 Conclusions -- References -- The Analysis of Architectural Heritage Through Graphic Documents: The Archaeological Site of Italica (Seville, Spain) - From the 16th to the 21st Century -- 1 Introduction -- 2 Reconstruction of the Graphic Heritage of Itálica -- 2.1 Selection of Documents to Obtain a Representative Sample -- 2.2 Data Included for Analysis -- 3 Results -- 4 Conclusion -- References -- The Design of the Renaissance Cloister of the Cathedral of Zamora -- References -- The Evolution of the Castle of Peracense. An Example of Sequential Development of Southern Europe Strongholds -- 1 Introduction -- 2 Methodology of the Research -- 3 Historical and Geographical Analysis. The Origin of the Castle of Peracense -- 4 The Time of the Albarracin Estate -- 5 The Time of the Kingdom of Aragon -- 5.1 The Inner Precinct -- 5.2 Intermediate and Outer Precinct.
6 The Carlist Wars and the Restoration of the Twentieth Century.
Titolo autorizzato: Architectural graphics  Visualizza cluster
ISBN: 3-031-04703-6
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910568257003321
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Serie: Springer Series in Design and Innovation Ser.