Proceedings of the worldwide music conference 2021 . Volume 2 / / Ildar D. Khannanov, Roman Ruditsa, editors

• Pubblicazione: Cham, Switzerland : , : Springer, , [2021]; ©2021
• Descrizione fisica: 1 online resource (113 pages)
• Disciplina: 780.05
• Soggetto topico: Music and science; Musicology
• Soggetto genere / forma: Electronic books.
• Persona (resp. second.): KhannanovIldar D.; RuditsaRoman
• Nota di contenuto: Intro -- Preface -- Contents -- Mathematics of Pitch and Interval -- Relative Musical Pitch in Formal Definition -- 1 Introduction -- 1.1 Subject of the Study -- 1.2 Clarifications -- 1.3 Aspects of Consideration of the Objects Under Study -- 1.4 Research Objectives and Methods -- 2 Preliminary (Informal) Overview of Research Objects -- 2.1 Tones and Intervals -- 2.2 Interval Structures and Interval Systems -- 2.3 Some Technical Concepts -- 2.4 Primary SPO Systems -- 2.5 Conjugacies of Interval Systems. Primary Conjugacies. The Aggregate of All SPO Systems -- 2.6 Some Comments -- 3 Formal Definitions -- 3.1 Key Concepts -- 3.2 Some Generalizations and Definitions -- 3.3 Conjugations and Conjugacies of Interval Systems -- 3.4 Final Definitions: Interval Systems and Conjugacies of Interval Systems of the SPO -- 4 Final Notes -- References -- What Are Musical Intervals? A Question Recharged via an Algebraic Theory of Measurement -- 1 Motivation -- 2 A Refined Approach to an Algebraic Theory of Measurement - Tailored to Capture a General Theory of Musical Intervals -- 3 Musical Side -- 4 Summary -- References -- Language and Narrative -- Thinking/Feeling Musical Narrative -- 1 Introduction -- 2 The Concept of Narrative -- 3 Sound as Narrative Material -- 4 Musical Storytelling as Sonic Thinking -- 5 Conclusion -- References -- The Conceptual Structure of Music: Congruence, Modularity, and the Language of Musical Thought -- 1 Introduction -- 2 Perceptual Multiparametric Congruence -- 2.1 Basic Percepts -- 2.2 Complex Concepts -- 2.3 Rhythm and Metre -- 2.4 Chords and Harmony -- 3 Modularity -- 3.1 Evidence from Neuropsychology and Neuroscience -- 3.2 Schemas of Music Modularity -- 4 Perception and Cognition -- 4.1 The Language of Musical Thought -- 4.2 Central Systems -- 5 Findings and Discussion -- References -- Evolution and Perception. ; Correlations Between Musical and Biological Variation in Derivative Analysis -- 1 Introduction -- 2 The Model of Derivative Analysis -- 3 MDA's Biological Correspondences -- 3.1 Decontextualized Variation -- 3.2 Variation on Time -- 4 Concluding Remarks -- References -- To the Question of the Possibility of Identifying the Psychophysiological Signs of "Ethnic Hearing" as Differential Perception of "Native" and "Alien" Music -- 1 Introduction -- 2 Objective Differentiation of the Signs of Musical Perception: A List of Possibilities -- 2.1 The Psychophysiological Signs of Musical Sensitivity -- 2.2 EMG and Temperature Indices of Music Perception -- 2.3 Neurobiological Indices of Music Perception -- 2.4 Dependence of the Psychophysiological Features of Music Perception on Neurohumoral Conditions -- 2.5 Dependence of the Psychophysiological Features of Music Perception on the Dominant Archetype Pattern -- 2.6 Dependence of Psychophysiological Features of the Perception of Music on the Dominant Sensor Modality Listener -- 2.7 Dependence of Psychophysiological Features of the Perception of Music on the Given Compositional and Ethnic Musical Style -- 2.8 Dependence of Psychophysiological Features of the Perception of Music on the Experience of Music Perception and Socio-cultural Factors -- 3 Conclusions -- References -- The Musical-Theoretical Concept of Tatiana Sergeyevna Bershadskaya -- 1 Introduction. About the Works of Bershadskaya -- 2 General Approaches -- 2.1 Science and Creativity -- 2.2 Methodology -- 2.3 The Universality of Musical Theory -- 3 The System of Musical Лaд (L-System) -- 3.1 Harmonic Functions -- 3.2 Non-harmonic Functions -- 3.3 Typology of L-Systems -- 3.4 Monodic-Harmonic L-System -- 4 Conclusion -- References -- Sociology -- About the Apollonian and the Dionysian: Dialogues Between Music and Wine in the Spanish Social Context. ; 1 Introduction -- 2 Methodology -- 2.1 Design and Choice of Categories -- 2.2 How Was It Measured? -- 2.3 Application of the Model, Preparation of the Survey and Fieldwork -- 3 Results -- 3.1 Musical Profile of the Respondents -- 3.2 What Does Wine Sound like? -- 3.3 Music-Wine vs. Scenarios -- 3.4 Wine in the Time of Covid -- 3.5 Favorite Moments -- 4 Conclusions -- 5 Further Investigations -- References -- Correction to: Proceedings of the Worldwide Music Conference 2021 -- Correction to: I. D. Khannanov and R. Ruditsa (Eds.): Proceedings of the Worldwide Music Conference 2021, CRSM 9, https://doi.org/10.1007/978-3-030-85886-5 -- Author Index.
• Titolo autorizzato: Proceedings of the Worldwide Music Conference 2021
• ISBN: 3-030-85886-3
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Lingua di pubblicazione: Inglese
• Record Nr.: 9910502637903321
• Lo trovi qui: Univ. Federico II
• Serie: Current research in systematic musicology ; ; Volume 9.