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Autore: | Dixon Wheeler W. <1950-> |
Titolo: | Cinema at the margins / / Wheeler Winston Dixon [[electronic resource]] |
Pubblicazione: | London : , : Anthem Press, , 2013 |
Descrizione fisica: | 1 online resource (xvii, 220 pages) : digital, PDF file(s) |
Disciplina: | 791.43/7 |
Soggetto topico: | Motion pictures - History |
Soggetto genere / forma: | Electronic books. |
Note generali: | Title from publisher's bibliographic system (viewed on 02 Oct 2015). |
Nota di bibliografia: | Includes bibliographical references and index. |
Nota di contenuto: | Part 1. Genre -- The future catches up with the past: Peter Bogdanovich's targets -- Surrealism and sudden death in the films of Lucio Fulci -- Flash Gordon and the 1930s and 40s science fiction serial -- Just the facts, man: the complicated genesis of television's Dragnet -- The disquieting aura of Fabián Bielinsky -- Part 2. History -- Fast worker: the films of Sam Newfield -- The power of resistance: Les Dames du Bois de Boulogne -- Beyond characterization: performance in 1960s -- Experimental cinema -- Vanishing point: the last days of film -- Part 3. Interviews -- "Let the sleepers sleep and the haters hate": an interview with Dale "Rage" Resteghini -- Margin call: an interview with J.C. Chandor -- "All my films are personal": an interview with Pat Jackson -- Working within the system: an interview with Gerry O'Hara -- Andrew V. McLaglen: last of the Hollywood professionals -- Pop star, director, actor: an interview with Michael Sarne. |
Sommario/riassunto: | 'Cinema at the Margins' is a collection that aims to highlight some of the lesser-known films and filmmakers of the past that are being marginalized and forgotten in today's reductive popular memory of movie history. |
Titolo autorizzato: | Cinema at the margins |
ISBN: | 1-78308-016-7 |
1-78308-026-4 | |
1-78308-027-2 | |
0-85728-195-X | |
Formato: | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione: | Inglese |
Record Nr.: | 9910453823403321 |
Lo trovi qui: | Univ. Federico II |
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