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| Autore: |
Downing Eric
|
| Titolo: |
Artificial I's : the self as artwork in Ovid, Kierkegaard, and Thomas Mann / / Eric Downing
|
| Pubblicazione: | Tübingen : , : Max Niemeyer, , 1993 |
| Edizione: | Reprint 2013 |
| Descrizione fisica: | 1 online resource (249 p.) |
| Disciplina: | 809/.923 |
| Soggetto topico: | Persona (Literature) |
| First person narrative | |
| Note generali: | Description based upon print version of record. |
| Nota di bibliografia: | Includes bibliographical references (pages 238-244). |
| Nota di contenuto: | Front matter -- Contents -- Introduction -- Chapter 1: Ovid and the Ars Amatoria -- Chapter 2: Kierkegaard and the »Diary of the Seducer« -- Chapter 3: Thomas Mann and the early Felix Krull -- Chapter 4: Thomas Mann and the late Felix Krull -- Conclusion -- Bibliography |
| Sommario/riassunto: | This study explores three works in which the protagonist undertakes to fashion a literary artwork out of himself: Ovid's »Ars Amatoria«, Kierkegaard's »Diary of the Seducer«, and Thomas Mann's »Felix Krull«. For each work, particular attention is paid to the self-conscious interplay between the author's project of book-making and the character's project of self-making, as well as to the effect of changing notions of self-identity on the protagonist's attempt at life as literature. For »Felix Krull«, this includes a sustained analysis of Mann's incorporation and problematization of various Nietzschean models of aesthestics, reality, and self-identity. In Ovid and Kierkegaard, this study also considers a related project, the attempt to fashion a literary artwork out of another, namely out of a woman. |
| Titolo autorizzato: | Artificial I's ![]() |
| ISBN: | 3-11-092596-6 |
| Formato: | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione: | Inglese |
| Record Nr.: | 9910809889403321 |
| Lo trovi qui: | Univ. Federico II |
| Opac: | Controlla la disponibilità qui |