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100   $a19980401d1993      uy|            0
101 0 $aeng
135   $aurnn#---|u||u
181   $ctxt
182   $cc
183   $acr
200 10$aArtificial I's $ethe self as artwork in Ovid, Kierkegaard, and Thomas Mann /$fEric Downing
205   $aReprint 2013
210  1$aTu?bingen :$cMax Niemeyer,$d1993.
215   $a1 online resource (249 p.)
225 1 $aStudien zur deutschen Literatur,$x0081-7236 ;$vBand 127
300   $aDescription based upon print version of record.
311 0 $a3-11-182132-3 
311 0 $a3-484-18127-3 
320   $aIncludes bibliographical references (pages 238-244).
327   $tFront matter --$tContents --$tIntroduction --$tChapter 1: Ovid and the Ars Amatoria --$tChapter 2: Kierkegaard and the »Diary of the Seducer« --$tChapter 3: Thomas Mann and the early Felix Krull --$tChapter 4: Thomas Mann and the late Felix Krull --$tConclusion --$tBibliography
330   $aThis study explores three works in which the protagonist undertakes to fashion a literary artwork out of himself: Ovid's »Ars Amatoria«, Kierkegaard's »Diary of the Seducer«, and Thomas Mann's »Felix Krull«. For each work, particular attention is paid to the self-conscious interplay between the author's project of book-making and the character's project of self-making, as well as to the effect of changing notions of self-identity on the protagonist's attempt at life as literature. For »Felix Krull«, this includes a sustained analysis of Mann's incorporation and problematization of various Nietzschean models of aesthestics, reality, and self-identity. In Ovid and Kierkegaard, this study also considers a related project, the attempt to fashion a literary artwork out of another, namely out of a woman.
410  0$aStudien zur deutschen Literatur ;$vBd. 127.
606   $aPersona (Literature)
606   $aFirst person narrative
615  0$aPersona (Literature)
615  0$aFirst person narrative.
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