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Videoland : movie culture at the American video store / / Daniel Herbert



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Autore: Herbert Daniel <1974-> Visualizza persona
Titolo: Videoland : movie culture at the American video store / / Daniel Herbert Visualizza cluster
Pubblicazione: Berkeley, California : , : University of California Press, , 2014
©2014
Descrizione fisica: 1 online resource (333 p.)
Disciplina: 302.23/430973
Soggetto topico: Video rental services - Social aspects - United States
Video recordings industry - Social aspects - United States
Motion pictures - Social aspects - United States
Stores, Retail - Social aspects - United States
Soggetto geografico: United States Civilization 1970-
Soggetto non controllato: american history
american studies
architectural design
archival research
capitalism
commercialization
consumer culture
consumer video
cultural geography
cultural studies
ethnographic fieldwork
film
increased flexibility
magnetic tapes
material commodities
media history
motion pictures
movie culture
public retail space
rental industry
retrospective
social dynamics
social space
tangible phase
united states of america
video distribution industry
video recommendation guides
video rental stores
Note generali: Description based upon print version of record.
Nota di bibliografia: Includes bibliographical references and index.
Nota di contenuto: Front matter -- Contents -- Illustrations -- Acknowledgments -- Introduction: Video Rental and the "Shopping" of Media -- 1. A Long Tale -- 2. Practical Classifications -- 3. Video Capitals -- 4. Video Rental in Small-Town America -- 5. Distributing Value -- 6. Mediating Choice: Criticism, Advice, Metadata -- Coda: The Value of the Tangible -- Notes -- Selected Bibliography -- Index
Sommario/riassunto: Videoland offers a comprehensive view of the "tangible phase" of consumer video, when Americans largely accessed movies as material commodities at video rental stores. Video stores served as a vital locus of movie culture from the early 1980's until the early 2000's, changing the way Americans socialized around movies and collectively made movies meaningful. When films became tangible as magnetic tapes and plastic discs, movie culture flowed out from the theater and the living room, entered the public retail space, and became conflated with shopping and salesmanship. In this process, video stores served as a crucial embodiment of movie culture's historical move toward increased flexibility, adaptability, and customization. In addition to charting the historical rise and fall of the rental industry, Herbert explores the architectural design of video stores, the social dynamics of retail encounters, the video distribution industry, the proliferation of video recommendation guides, and the often surprising persistence of the video store as an adaptable social space of consumer culture. Drawing on ethnographic fieldwork, cultural geography, and archival research, Videoland provides a wide-ranging exploration of the pivotal role video stores played in the history of motion pictures, and is a must-read for students and scholars of media history.
Titolo autorizzato: Videoland  Visualizza cluster
ISBN: 0-520-27963-8
0-520-95802-0
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910790711103321
Lo trovi qui: Univ. Federico II
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