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1000 erotic works of genius / / Hans-Jürgen Döpp (general introduction), Joe A. Thomas (chapter introductions) and Victoria Charles ; translation, Sofya Hundt, Nick Cowling and Marie-Noëlle Dumaz



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Autore: Döpp Hans-Jürgen Visualizza persona
Titolo: 1000 erotic works of genius / / Hans-Jürgen Döpp (general introduction), Joe A. Thomas (chapter introductions) and Victoria Charles ; translation, Sofya Hundt, Nick Cowling and Marie-Noëlle Dumaz Visualizza cluster
Pubblicazione: New York : , : Parkstone Press International, , [2014]
©[2014]
Descrizione fisica: 1 online resource (544 p.)
Disciplina: 704.9428
Soggetto topico: Erotic art
Erotic art - History
Sex in art
Persona (resp. second.): ThomasJoe A.
CharlesVictoria
HundtSofya
CowlingNick
DumazMarie-Noëlle
Note generali: Includes index.
Nota di contenuto: Contents; Introduction; From Prehistory and Primitive Forms to Antiquity and the Perfection of the Body; The Middle Ages: A Return to Prudery; The Renaissance: The Golden Age of the Body 1453-1563; The Elegance of the Body 1563-1810; Realism and the Body 1810-1922; The Decades of Promise 1922-1960; The Revolution of the Body 1960-2000s; Chronology; Index
Sommario/riassunto: Different eras and civilisations have treated erotic images with varying acceptance and different concepts of erotica and these tendencies are reflected within the works themselves. From ancient statues devoted to fertility to Renaissance engravings designed to encourage procreation within marriage, erotic art has always held an important place in society. Here, for the first time, 1,000 authentic images of erotic art have been brought together, spanning the centuries and civilisations to demonstrate the evolution of the genre. In an era such as ours when eroticism is abundant in advertising a
Titolo autorizzato: 1000 erotic works of genius  Visualizza cluster
ISBN: 1-84484-462-5
1-78310-411-2
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910652022403321
Lo trovi qui: Univ. Federico II
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