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Autore: |
Hirsch Joshua
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Titolo: |
Afterimage [[electronic resource] ] : Film, Trauma And The Holocaust
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Pubblicazione: | Philadelphia, : Temple University Press, 2010 |
Descrizione fisica: | 1 online resource (230 p.) |
Disciplina: | 791.43/658 |
791.43658 | |
Soggetto topico: | Holocaust, Jewish (1939-1945), in motion pictures |
War films - History and criticism | |
War films -- History and criticism | |
Soggetto genere / forma: | Electronic books. |
Note generali: | Description based upon print version of record. |
Nota di contenuto: | Contents; Preface; Acknowledgments; 1. Introduction to Film, Trauma, and the Holocaust; 2. Night and Fog and the Origins of Posttraumatic Cinema; 3. Shoah and the Posttraumatic Documentary after Cinema Verite; 4. The Pawnbroker and the Posttraumatic Flashback; 5. Istvan Szabo and Posttraumatic Autobiography; 6. Postmodernism, the Second Generation, and Cross-Cultural Posttraumatic Cinema; Notes; Works Cited; Index |
Sommario/riassunto: | The appearance of Alain Resnais' 1955 French documentary Night and Fog heralded the beginning of a new form of cinema, one that used the narrative techniques of modernism to provoke a new historical consciousness. Afterimage presents a theory of posttraumatic film based on the encounter between cinema and the Holocaust. Locating its origin in the vivid shock of wartime footage, Afterimage focuses on a group of crucial documentary and fiction films that were pivotal to the spread of this cinematic form across different nations and genres.Joshua Hirsch explores |
Titolo autorizzato: | Afterimage ![]() |
Formato: | Materiale a stampa ![]() |
Livello bibliografico | Monografia |
Lingua di pubblicazione: | Inglese |
Record Nr.: | 9910459618703321 |
Lo trovi qui: | Univ. Federico II |
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