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[null,"1.","Record Nr.",null,"UNINA9910459618703321"]
[null,null,"Autore",null,"Hirsch Joshua"]
[null,null,"Titolo",null,"Afterimage [[electronic resource] ] : Film, Trauma And The Holocaust"]
[null,null,"Pubbl/distr/stampa",null,"Philadelphia, : Temple University Press, 2010"]
[null,null,"Descrizione fisica",null,"1 online resource (230 p.)"]
[null,null,"Disciplina",null,"791.43/658"]
[{"$nulls":4},"791.43658"]
[null,null,"Soggetti",null,"Holocaust, Jewish (1939-1945), in motion pictures"]
[{"$nulls":4},"War films - History and criticism"]
[{"$nulls":4},"War films -- History and criticism"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Contents; Preface; Acknowledgments; 1. Introduction to Film, Trauma, and the Holocaust; 2. Night and Fog and the Origins of Posttraumatic Cinema; 3. Shoah and the Posttraumatic Documentary after Cinema Verite; 4. The Pawnbroker and the Posttraumatic Flashback; 5. Istvan Szabo and Posttraumatic Autobiography; 6. Postmodernism, the Second Generation, and Cross-Cultural Posttraumatic Cinema; Notes; Works Cited; Index"]
[null,null,null,"Sommario/riassunto","The appearance of Alain Resnais' 1955 French documentary Night and  Fog heralded the beginning of a new form of cinema, one that used the narrative techniques of modernism to provoke a new historical consciousness. Afterimage presents a theory of posttraumatic film based on the encounter between cinema and the Holocaust. Locating its origin in the vivid shock of wartime footage, Afterimage focuses on a group of crucial documentary and fiction films that were pivotal to the spread of this cinematic form across different nations and genres.Joshua Hirsch explores"]