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Autore: | Smith Jacob <1970-> |
Titolo: | Vocal tracks : performance and sound media / / Jacob Smith |
Pubblicazione: | Berkeley, : University of California Press, c2008 |
Edizione: | 1st ed. |
Descrizione fisica: | 1 online resource (304 p.) |
Disciplina: | 808.5 |
Soggetto topico: | Voice culture |
Voice | |
Soggetto non controllato: | cinema |
cultural history of sound | |
cultural studies | |
entertainment industry | |
erotic performance | |
film and television | |
film sound | |
film studies | |
media studies | |
media technology | |
melodrama | |
movie studies | |
multimedia | |
musicians | |
performance of authenticity | |
phonograph | |
phony performances | |
prank phone calls | |
radio studies | |
radio | |
recorded laughter | |
records | |
rough mix | |
sound film | |
sound industries | |
sound recordings | |
sound technologies | |
sound | |
theory of performance | |
vocal performance | |
vocal recordings | |
vocal styles | |
voice | |
Note generali: | "An Ahmanson book in the humanities"--P. [4] of cover. |
Nota di bibliografia: | Includes bibliographical references (p. 271-286) and index. |
Nota di contenuto: | Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part One. Flooding Out -- Part Two. A Finer Grain of the Voice -- Part Three. Bugging the Backstage -- Conclusion -- Notes -- Bibliography -- Index |
Sommario/riassunto: | This entertaining and innovative book focuses on vocal performance styles that developed in tandem with the sound technologies of the phonograph, radio, and sound film. Writing in a clear and lively style, Jacob Smith looks at these media technologies and industries through the lens of performance, bringing to light a fascinating nexus of performer, technology, and audience. Combining theories of film sound, cultural histories of sound technologies and industries, and theories of performance, Smith convincingly connects disparate and largely neglected performance niches to explore the development of a modern vocal performance. Vocal Tracks: Performance and Sound Media demonstrates the voice to be a vehicle of performance, identity, and culture and illustrates both the interconnection of all these categories and their relation to the media technologies of the past century. |
Titolo autorizzato: | Vocal tracks |
ISBN: | 0-520-94284-1 |
1-281-75267-3 | |
9786611752675 | |
1-4356-8477-X | |
Formato: | Materiale a stampa |
Livello bibliografico | Monografia |
Lingua di pubblicazione: | Inglese |
Record Nr.: | 996248193403316 |
Lo trovi qui: | Univ. di Salerno |
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