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Music: Its Theologies and Spiritualities : A Global Perspective



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Autore: Foley Edward Visualizza persona
Titolo: Music: Its Theologies and Spiritualities : A Global Perspective Visualizza cluster
Pubblicazione: Basel, Switzerland, : MDPI - Multidisciplinary Digital Publishing Institute, 2020
Descrizione fisica: 1 online resource (182 p.)
Soggetto topico: Music
Soggetto non controllato: 21st century music
aesthetics
African American
annunciation
Anton Webern
asylum-seeker
chant
Charismatic Prayer Meeting
choral music
composition
Confessing Church
creativity
culture
custom
dance
demythologization
Dietrich Bonhoeffer
Dionysios the Areopagite
exegesis of tradition
funeral
Georgian chant
German modernism
gospel
Gustav Mahler
Hebrew Bible
history
Ireland
James MacMillan
Jeremy Begbie
Karl Barth
keen
Korean migrants
liminality
Michael Symmons Roberts
migration
music
oral tradition
Orthodox theology
Passion
polyphony
postmodernism
Praise and Worship
refugee
ritual
sacramentality
sacred music
secularization
singing
sonority
Speaking/Singing in Tongues
spirituality
the Congo
the sacred
theoartistry
Theodor Adorno
theology
tradition
wake
wellbeing
Persona (resp. second.): FoleyEdward
Sommario/riassunto: This volume is an exploration of the varied and sometimes unrecognized ways in which music-especially in ritual contexts-can serve as both a spiritual conduit as well as a theological source. With topics ranging from a Congolese choir in Ireland to the Orthodox chant in Georgia, from postmodern reflections on new Passion compositions to reflections on the sacramentality of Black gospel music, this volume offers a rich plumbing of very diverse yet well researched musical traditions-case studies from around the globe-for their spiritual and theological contributions.
Altri titoli varianti: Music
Titolo autorizzato: Music: Its Theologies and Spiritualities  Visualizza cluster
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910557283503321
Lo trovi qui: Univ. Federico II
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