03324nam 2201045z- 450 991055728350332120231214133354.0(CKB)5400000000041205(oapen)https://directory.doabooks.org/handle/20.500.12854/69343(EXLCZ)99540000000004120520202105d2020 |y 0engurmn|---annantxtrdacontentcrdamediacrrdacarrierMusic: Its Theologies and SpiritualitiesA Global PerspectiveBasel, SwitzerlandMDPI - Multidisciplinary Digital Publishing Institute20201 electronic resource (182 p.)3-03943-593-0 3-03943-594-9 This volume is an exploration of the varied and sometimes unrecognized ways in which music—especially in ritual contexts—can serve as both a spiritual conduit as well as a theological source. With topics ranging from a Congolese choir in Ireland to the Orthodox chant in Georgia, from postmodern reflections on new Passion compositions to reflections on the sacramentality of Black gospel music, this volume offers a rich plumbing of very diverse yet well researched musical traditions—case studies from around the globe—for their spiritual and theological contributions.MusicMusicbicsscCharismatic Prayer MeetingPraise and WorshipSpeaking/Singing in TonguesspiritualitymusicwellbeingKorean migrantsTheodor AdornoDietrich BonhoefferKarl BarthAnton WebernGustav MahlerdemythologizationsecularizationConfessing ChurchGerman modernismsingingmigrationasylum-seekerrefugeethe sacredcreativitysonorityIrelandthe CongoPassionliminalityritualpostmodernismchoral music21st century musicsacred musiccompositiontheologytheoartistryannunciationHebrew BibleJames MacMillanMichael Symmons RobertsJeremy BegbiekeenwakefuneraltraditioncustomculturehistorychantGeorgian chantOrthodox theologyexegesis of traditionaestheticspolyphonyoral traditionDionysios the AreopagitesacramentalitygospelAfrican AmericandanceMusicFoley Edwardedt1117641Foley EdwardothBOOK9910557283503321Music: Its Theologies and Spiritualities3029410UNINA