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Mirroring the Japanese empire : the male figure in yōga painting, 1930-1950 : the male figure in yōga painting, 1930-1950 / / by Maki Kaneko



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Autore: Kaneko Maki Visualizza persona
Titolo: Mirroring the Japanese empire : the male figure in yōga painting, 1930-1950 : the male figure in yōga painting, 1930-1950 / / by Maki Kaneko Visualizza cluster
Pubblicazione: Leiden, [Netherlands] ; ; Boston, [Massachusetts] : , : Brill, , 2015
©2015
Descrizione fisica: 1 online resource (211 p.)
Disciplina: 759.95209044
Soggetto topico: Painting, Japanese - Western style
Sino-Japanese War, 1937-1945
World War, 1939-1945
Men in art
War in art
World War, 1939-1945 - Propaganda
Propaganda, Japanese
Soggetto genere / forma: Electronic books.
Note generali: Description based upon print version of record.
Nota di bibliografia: Includes bibliographical references and index.
Nota di contenuto: Preliminary material -- 1 Introduction -- 2 “Japanese” Men on Display: Fujita Tsuguharu’s Campaign-Record Paintings -- 3 Modern Portraiture as the Site of Battle: Yasui Sōtarō’s Male Portraits and the Shirakaba School -- 4 Artists as Madmen: Yamashita Kiyoshi and Matsumoto Shunsuke’s “Disabled” Bodies -- 5 Conclusion: Male Icons of Japan’s “Long Postwar” -- Endnotes -- Selected Bibliography -- Illustration Credits -- Index.
Sommario/riassunto: In this groundbreaking study of a subject intricately tied up with the controversies of Japanese wartime politics and propaganda, Maki Kaneko reexamines the iconic male figures created by artists of yōga (Western-style painting) between 1930 and 1950. Particular attention is given to prominent yōga painters such as Fujita Tsuguharu, Yasui Sōtarō, Matsumoto Shunsuke, and Yamashita Kiyoshi—all of whom achieved fame for their images of men either during or after the Asia-Pacific War. By closely investigating the representation of male figures together with the contemporary politics of gender, race, and the body, this profusely illustrated volume offers new insight into artists’ activities in late Imperial Japan. Rather than adhering to the previously held model of unilateral control governing the Japanese Empire’s visual regime, the author proposes a more complex analysis of the role of Japanese male artists and how art functioned during an era of international turmoil.
Titolo autorizzato: Mirroring the Japanese empire : the male figure in yōga painting, 1930-1950  Visualizza cluster
ISBN: 90-04-28259-9
Formato: Materiale a stampa
Livello bibliografico Monografia
Lingua di pubblicazione: Inglese
Record Nr.: 9910465741003321
Lo trovi qui: Univ. Federico II
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Serie: Japanese visual culture ; ; Volume 14.