LEADER 03819nam 2200733 450 001 9910465741003321 005 20200917021826.0 010 $a90-04-28259-9 035 $a(CKB)3710000000647729 035 $a(EBL)4526176 035 $a(SSID)ssj0001668137 035 $a(PQKBManifestationID)16456729 035 $a(PQKBTitleCode)TC0001668137 035 $a(PQKBWorkID)13059190 035 $a(PQKB)11007725 035 $a(MiAaPQ)EBC4526176 035 $a(OCoLC)918997426 035 $a(nllekb)BRILL9789004282599 035 $a(Au-PeEL)EBL4526176 035 $a(CaPaEBR)ebr11211242 035 $a(CaONFJC)MIL921272 035 $a(OCoLC)950466033 035 $a(EXLCZ)993710000000647729 100 $a20160602h20152015 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMirroring the Japanese empire : the male figure in yo?ga painting, 1930-1950 $ethe male figure in yo?ga painting, 1930-1950 /$fby Maki Kaneko 210 1$aLeiden, [Netherlands] ;$aBoston, [Massachusetts] :$cBrill,$d2015. 210 4$dİ2015 215 $a1 online resource (211 p.) 225 1 $aJapanese Visual Culture,$x2210-2868 ;$vVolume 14 300 $aDescription based upon print version of record. 311 $a90-04-22767-9 320 $aIncludes bibliographical references and index. 327 $aPreliminary material -- 1 Introduction -- 2 ?Japanese? Men on Display: Fujita Tsuguharu?s Campaign-Record Paintings -- 3 Modern Portraiture as the Site of Battle: Yasui S?tar??s Male Portraits and the Shirakaba School -- 4 Artists as Madmen: Yamashita Kiyoshi and Matsumoto Shunsuke?s ?Disabled? Bodies -- 5 Conclusion: Male Icons of Japan?s ?Long Postwar? -- Endnotes -- Selected Bibliography -- Illustration Credits -- Index. 330 $aIn this groundbreaking study of a subject intricately tied up with the controversies of Japanese wartime politics and propaganda, Maki Kaneko reexamines the iconic male figures created by artists of y?ga (Western-style painting) between 1930 and 1950. Particular attention is given to prominent y?ga painters such as Fujita Tsuguharu, Yasui S?tar?, Matsumoto Shunsuke, and Yamashita Kiyoshi?all of whom achieved fame for their images of men either during or after the Asia-Pacific War. By closely investigating the representation of male figures together with the contemporary politics of gender, race, and the body, this profusely illustrated volume offers new insight into artists? activities in late Imperial Japan. Rather than adhering to the previously held model of unilateral control governing the Japanese Empire?s visual regime, the author proposes a more complex analysis of the role of Japanese male artists and how art functioned during an era of international turmoil. 410 0$aJapanese visual culture ;$vVolume 14. 606 $aPainting, Japanese$xWestern style 606 $aSino-Japanese War, 1937-1945$vArt and the war 606 $aWorld War, 1939-1945$vArt and the war 606 $aMen in art 606 $aWar in art 606 $aWorld War, 1939-1945$xPropaganda 606 $aPropaganda, Japanese 608 $aElectronic books. 615 0$aPainting, Japanese$xWestern style. 615 0$aSino-Japanese War, 1937-1945 615 0$aWorld War, 1939-1945 615 0$aMen in art. 615 0$aWar in art. 615 0$aWorld War, 1939-1945$xPropaganda. 615 0$aPropaganda, Japanese. 676 $a759.95209044 700 $aKaneko$b Maki$0995178 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465741003321 996 $aMirroring the Japanese empire : the male figure in yo?ga painting, 1930-1950$92279554 997 $aUNINA