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| Autore: |
Holmes Diana <1949->
|
| Titolo: |
Middlebrow matters : women's reading and the literary canon in France since the Belle Époque / / Diana Holmes [[electronic resource]]
|
| Pubblicazione: | Liverpool, : Liverpool University Press, 2018 |
| Liverpool : , : Liverpool University Press, , 2018 | |
| Descrizione fisica: | 1 online resource (244 pages) : digital, PDF file(s) |
| Disciplina: | 843.91409 |
| Soggetto topico: | French fiction - 20th century - History and criticism |
| French fiction - 21st century - History and criticism | |
| Women - Books and reading - France - History - 20th century | |
| Women - Books and reading - France - History - 21st century | |
| Women and literature - France - History - 20th century | |
| Women and literature - France - History - 21st century | |
| Soggetto non controllato: | Languages |
| Literary studies | |
| fiction | |
| novelists & prose writers | |
| France | |
| English | |
| French | |
| Note generali: | Title from publisher's bibliographic system (viewed on 07 Jul 2020). |
| Nota di contenuto: | Reclaiming the middlebrow -- The birth of French middlebrow -- Colette: The middlebrow modernist -- Interwar France: The case of the missing middlebrow -- The 'little world' of Françoise Sagan -- Literary prizes, women and the middlebrow -- Realism, romance and self-reflexivity: Twenty-first-century middlebrow -- Conclusion: Marie NDiaye's femme puissante -- a double reading. |
| Sommario/riassunto: | <b>An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library.<br>Winner of the Aldo and Jeanne Scaglione Prize for French and Francophone Studies, 2018.</b><br>This is the first book to study the middlebrow novel in France. Middlebrow is a derogatory word that connotes blandness, mediocrity and a failed aspiration to 'high' culture. However, when appropriated as a positive term to denote that wide swathe of literature between the challenging experimentalism of the high and the formulaic tendency of the popular, it enables a rethinking of the literary canon from the point of view of what most readers actually read, a criterion curiously absent from dominant definitions of literary value. Since women have long formed a majority of the reading public, this perspective immediately feminises what has always been a very male canon. Opening with a theorisation of the concept of middlebrow that mounts a defence of some literary qualities disdained by modernism, the book then focuses on a series of case studies of periods (the Belle Époque, inter-war, early twenty-first century), authors (including Colette, Irène Nemirovsky, Françoise Sagan, Anna Gavalda) and the middlebrow nature of literary prizes. It concludes with a double reading of a single text, from the perspective of an academic critic, and from that of a middlebrow reader. |
| Titolo autorizzato: | Middlebrow matters ![]() |
| ISBN: | 1-78694-952-0 |
| Formato: | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione: | Inglese |
| Record Nr.: | 9910306633403321 |
| Lo trovi qui: | Univ. Federico II |
| Opac: | Controlla la disponibilità qui |